https://www.yaelkanarek.com/news daily 0.75 2020-04-29 https://www.yaelkanarek.com/news/2019/11/8/soulspa-with-labshul-during-the-jen-weekend-romemu monthly 0.5 2020-04-29 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1573229071769-2X6DGVVU1MEWT00EJ892/Screen+Shot+2019-11-08+at+11.02.03+AM.png NEWS - SoulSpa with Lab/Shul during the JEN weekend @ Romemu https://www.yaelkanarek.com/news/2019/10/22/ny-artist-re-genders-the-torah-while-keeping-tradition-in-the-jewish-journal monthly 0.5 2019-11-03 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1571778734259-NBSNZN4V5EVUJWCUKYTR/Screen+Shot+2019-10-22+at+5.11.51+PM.png NEWS - NY Artist Re-Genders the Torah While Keeping Tradition in the Jewish Journal https://www.yaelkanarek.com/news/2019/1/15/daynight-2018 monthly 0.5 2019-01-17 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1547593704868-K2DJEIK0HLMDMP9O5QIA/IMG_4123.JPG NEWS - Day/Night, Site-specific sculpture commissioned by A.I.E https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1547594931830-ATTTPIOU8ZODG1A2O4U3/IMG_4107.JPG NEWS - Day/Night, Site-specific sculpture commissioned by A.I.E https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1547593785632-OMRKC7B54NUC9T5U008C/IMG_4111.JPG NEWS - Day/Night, Site-specific sculpture commissioned by A.I.E https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1547604990584-JR8B2NOP9XWYFWCX7RDT/IMG_4101.JPG NEWS - Day/Night, Site-specific sculpture commissioned by A.I.E https://www.yaelkanarek.com/news/2018/12/6/arq-interview monthly 0.5 2019-11-03 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1544133559296-UZTRUUA4UC603ZPDMM8H/yaelfull.jpg NEWS - Arq Interview Photo credit: Gili Getz https://www.yaelkanarek.com/news/2018/5/17/making-holes-in-the-torah monthly 0.5 2019-11-03 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1526582635237-Z34WPUVFOLPD3FCZ2DHU/tikkun-final.png NEWS - Making Holes in the Torah https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1526582565214-AHZBWOP35WFE0Q9RLXDH/yael-kanareks-project-1050x731.jpg NEWS - Making Holes in the Torah https://www.yaelkanarek.com/news/2017/11/6/art-in-embassies-commission monthly 0.5 2019-10-22 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1509990128842-9C0DKJB6I50Y6P7ZR3QQ/draft-layout-day-night.png NEWS - Art in Embassies Commission 3d rendering https://www.yaelkanarek.com/news/2017/11/6/art-in-embassies-cultural-exchange-program monthly 0.5 2019-10-22 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1509989891135-QWX6P1CCWWUGY9TXNOVI/Screen+Shot+2017-11-06+at+12.37.41+PM.png NEWS - Art in Embassies Cultural Exchange Program https://www.yaelkanarek.com/news/2017/2/14/artist-in-residence-at-the-foundry-ut-austin monthly 0.5 2019-10-22 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1487122423436-E4YIUTZ6J2UY1KW8X5Y6/image-asset.png NEWS - Artist-in-Residence at The Foundry, UT Austin https://www.yaelkanarek.com/news/2016/5/1/art-review-by-illya-szilak-in-the-huffington-post monthly 0.5 2019-10-22 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1462141367242-PY85AA2QBGITB5EECKGF/image-asset.png NEWS - Art Review by Illya Szilak in the Huffington Post https://www.yaelkanarek.com/news/2016/4/6/nyt-yael-kanarek-has-her-fifth-show-at-bitforms monthly 0.5 2019-10-22 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1459964814151-ZFZA3GPF5CWGVE28CHOW/Bloody+Piggy+Doggy+Pig NEWS - NYT: Yael Kanarek Has Her Fifth Show at Bitforms https://www.yaelkanarek.com/news/2016/3/28/kisses-kisses-opening-april-12-bitforms-gallery-nyc monthly 0.5 2019-10-22 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1459185245663-SAAUJHZLOYAO82TLQUII/image-asset.png NEWS - "Kisses Kisses" opens April 12 @ bitforms gallery, NYC https://www.yaelkanarek.com/news/2015/5/20/three-videoclock-at-the-new-york-electronic-art-festival monthly 0.5 2019-10-22 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1432137558712-X5B96OZG3JTN2VP8QFDM/image-asset.jpeg NEWS - The Time Room on Governors Island https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1432136962112-GAOZVT9O8WB3ETZP7N8M/image-asset.jpeg NEWS - The Time Room on Governors Island https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1432136815710-NTJ35ZF8OOSFZI1UGYC8/image-asset.jpeg NEWS - The Time Room on Governors Island https://www.yaelkanarek.com/news/2015/5/4/the-sick-rose-at-the-drawing-center-1994 monthly 0.5 2019-10-22 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1430796666958-OUOJC1I6QONTY6CUUV2N/image-asset.png NEWS - The Sick Rose, The Drawing Center, 1994 Selections Spring '94, February 26 - March 31, 1994 https://www.yaelkanarek.com/news/2015/4/16/rainbow-at-the-us-mission-to-the-oecd-paris monthly 0.5 2019-10-22 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1571779317177-MPUJZQ9SH3TSPD1F9181/image-asset.jpeg NEWS - RAINBOW at The U.S. Mission to the OECD, Paris https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1571779354380-C93CMR9SIGP6YNIKYR0Y/image-asset.jpeg NEWS - RAINBOW at The U.S. Mission to the OECD, Paris https://www.yaelkanarek.com/news/2015/3/29/the-early-disruptors-7-masterpieces-of-90s-net-art-everyone-should-know-about monthly 0.5 2019-10-22 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1427661299264-73D8UEBNA9YA45QLK1UE/image-asset.jpeg NEWS - The Early Disruptors: 7 Masterpieces of '90s Net Art Everyone Should Know About https://www.yaelkanarek.com/news/2015/1/11/9aoeodd8cxu8vdlax8bmbodqupt79w monthly 0.5 2019-10-22 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421033807244-CS399RZ797FAM625UDRM/doyousee.jpg NEWS - Can you see? Momenta Art Gallery, 1996 Can you see? 1996. Acrylic and candy sprinkles. https://www.yaelkanarek.com/news/2014/12/24/rutgers-exhibition monthly 0.5 2015-05-11 https://www.yaelkanarek.com/news/2014/12/30/world-technology-award-2014-in-the-art-category monthly 0.5 2019-10-22 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1571779838271-5WE48QOVF4ZOQA3L7QKP/image-asset.jpeg NEWS - World Technology Award 2014 in the Arts category https://www.yaelkanarek.com/news/category/Regendered+Bible monthly 0.5 https://www.yaelkanarek.com/prints daily 0.75 2019-10-22 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419821311511-MO8KOJRYFKOI0KCVW2AW/1462948_10152061260719306_1757455748_n.jpg PRINTS - #Sanctifythyself Poster, 2013 Digital printed poster Edition of 450 signed, not numbered #sanctifythyself Instagram feed The poster was composed from a selection of over 250 Instagram photos taken during the solo exhibition "High Performance Gear" at bitforms gallery. The action invited visitors to the gallery and remote participants, to turn their back on the artwork Sanctify Thyself to create a halo around their heads. The action was motivated by Jane Hirshfield's interview in David Grubin's The Buddha: The Story of Siddhartha. She discusses identifying the Buddha in ordinary life. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420580988828-KS3GDXAJQD6FB1IPKBQH/jpeg-4.jpg PRINTS - Text Object: Software327-25.txt, 2004 Silkscreen on parchment Diary entry from World of Awe: A Traveler's Journal silk-screened on parchment Font: Courier Text: File: software327-25.txt Software inventory from Silicon Canyon -------------------------------------------------------------- Unlike the computers that I could just turn over and open, the software I found in the canyon was considerably more complicated to examine. I've compiled an arbitrary list of 529software titles that I managed to separate from a dense pile, however, this list represents but a tiny fraction of all the code that was lying around. Looking at my collection reveals that most of the applications were written around the end of the 20th century and many of them were screensavers … who would imagine so many were made?Cars, flowers, Mars,Van Gogh, cats, sunsets. I'm looking at an F-15 Eagle screensaver thinking to myself that all this software is like a supermarket of canned culture. I nudge over a couple of SCSI cables to find a screensaver called Jumpin' Jesus on a Pogo Stick.Later, when I was climbing over a large heap of this hard-soft-junk, I began hypothesizing: imagine it was the end of the world and software titles were the only remnants, what portrait of a civilization could emerge based solely on that information? Frankly, I'm tempted to say that such evidence may actually form a semi-authentic picture. Now I should type a few words about the procedure I used to collect the code: I found the 529 titles sprawling in and around an Atari800XL, an Apple Quadra 6100 and a Sony VAIO Laptop.The disturbance initiated by moving the hardware caused strings of code to become airborne like miniature feathers, sending me into sets of uncontrollable sneezes. Can one be allergic to source code? The easiest way to pick the code is to grab the first few characters, especially the '#' with pincers and the rest usually follows like threads of a very fine material. First come the headers, the crowns on the code, these jewels of information that usually contain the title,author's name, version, revisions history and copyright info, often decorated with a touch of the author's personal style. Reading the authors' names diffuses my loneliness. Pleasure increases particularly with large, open-source network projects like the Linux operating system, for example. So many have worked on it—indeed a labor of love—and left their mark, which is how in Silicon Canyon I came to know of davidm@cs.arizona.edu, david.rusling@reo.mts.dec.com, jestabro@amt.tay1.dec.com, andrea@suse.de, ink@jurassic.park.msu.ru, manson@santafe.edu, davidm@azstarnet.com, Phillip.Ezolt@compaq.com, jbglaw@lug-owl.de, J.A.K.Mouw@its.tudelft.nl, bowman@math.ualberta.ca, dl8bcu@gmx.net, rick.gorton@alpha-processor.com, rth@tamu.edu, hobbs@steven.zko.dec.com, sjhill@cotw.com, nico@cam.org, shane@minirl.com, connors@hpl.hp.com, ch@hpl.hp.com, J.A.Pouwelse@its.tudelft.nl, abraham@2d3d.co.za, john+@cs.cmu.edu, jco@ict.es, juergen.messerer@siemens.ch, stefan.eletzhofer@gmx.de, cbrake@accelent.com, sjcho@east.isi.edu, chester@linux.org.tw andphilb@gnu.org to name a few. They make a nice group of friends when my imagination soars. However, Linus' email was nowhere to be found. I forgot to mention that all the software inside the machines had some how unassembled-uncompiled and was spilling out of the hard drives like overflowing soufflés. Really, in such degraded conditions one would expect to see actual binary data of ones and zeros and not a Babylonian chaos of high-level languages, entangled. The first software I pulled was the Blackjack Analyzer 2.0. I carefully grabbed the header from under the Atari and the C++ routines followed behind. To preserve it, I looped the string around my index finger and glued the tail with saliva. I blew on it a little and when it dried I rolled it off my finger into a small, white plastic box I found a few feet away. In that manner I collected lots of software and filled up a few boxes, when suddenly I pulled thegood-old text editorSimpleText. It was like meeting an old friend! Inits compiled stateSimpleText, the Apple software, can recite typed text in 20 different voices. Oh Agnes, Fred, Zarvox, my favorite voices, how I miss you! The SimpleText code was in fine condition but I was only able to separate the dropdown menus to integrate into my selfmade laptop. Perhaps the other strings could be knitted into a blanket if it ever gets cold. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420580950826-H6ORKWX3YPVH0IBOS7PG/oldy.jpg PRINTS - Travelog 159-78: Oldy, Paragraph 7, 2011 Handset letterpress print, purple ink on paper 11.25 x 14.25" / 28.6 x 36.2 cm 1/13 2AP Letterpress prints of a paragraph from World of Awe: A Traveler's Journal, handset and printed during an artist's visit to the Goldsmith Press & Rare Type Collection at Austin Peay State University. Text: Travelog 159-78: Oldy, paragraph 7 The adobe cabin was the color of gravel. Across the room was a small door that looked like a cooler. Made of stainless steel, it was bolted with a heavy lock. This must be where she kept the water. She wasn’t eager to answer questions and I didn’t poke. I stood there for a while, yet few words passed. Once escaped from a mouth, a word lingered in the stiffness that thickened the air. The word 'Yes,' which I emitted, spread around me, barely reaching her. She waited for it to dissipate and followed up with 'Camembert' that exploded slowly and filled up all corners of the cabin. It lasted an eon, possibly because of the silent syllables. Time passed with no more then twelve or thirteen words, but I never felt bothered. The silences between words were brimming with interests. Micro events called into being whole worlds in the spaces within spaces. Between worlds, I saw glimpses of the infinite... then it all went away. It was quiet. Just the wind. The curtain moved slightly. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420581051042-K5VONGLI85FQFPTIK88H/YK_03983.jpg PRINTS - Travelog 159-78: Oldy, paragraph 7, 2010 (installation view) Vinyl wall text Dimensions variable https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419441377884-M6SH89OTR4FK3OOPWV3L/copyA.jpg PRINTS - Potentially Endless A, 2007 Lambda print 44.5 x 70" / 113 x 178 cm Edition of 3 This landscape is animated in the scene Copy, from Object of Desire: Travelog 720.5/2: Copy Sunset/Sunrise Tangerine sky. A ray illuminates my neck. It stays there. Time suspended. I key my notes into the laptop. Letters dispel the handwriting and elude my temper, paper, and the ballpoint pen. The laptop welcomes the letters and assigns them numbers. Electric-alive, my idiom flickers on the screen. Delighted in the power of computation: Copy, paste, find, replace. CTRL+Z. Power. Speed. I penetrate. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419441377640-ASG90VV60SUDFAIXR1PT/copyB.jpg PRINTS - Potentially Endless B, 2007 Lambda print 44.5 x 70 in / 113 x 178 cm Edition of 3 This landscape is "torn" by mapping a journalistic photo of a political murder that circulated in the news several years ago. Its source is the Israeli-Palestinian conflict. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420751893173-BFB4QKTOQOTYG579N1TX/exits_entries.jpg PRINTS - Terrain 9_3a_5: Entries and Exits, 2002 Ink drawing on Lambda print plexi-mounted 44 x 34 in / 112 x 86 cm Unique About traffic data: As visitors navigate the net artwork World of Awe: A Traveler's Journal they leave tracking data like footprints. That data includes IP address, pages visited and time of entry. The data is then filtered and hand-drawn, spontaneously, on the 3D desert landscape print. Here the traffic data was filtered to identify the first and last diary entry accessed by several visitors. The difference in timestamps indicate the time they spent in the Traveler's Journal. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419440910211-ZB9KQOWLKL8S3J0L5GD2/ladders.jpg PRINTS - Terrain6e_6: Ladders, Cranes and Hidden Pathways, 2006 Ink drawing on Lambda print 30 x 40 in / 76 x 102 cm Unique As visitors navigate World of Awe: A Traveler's Journal, they leave behind tracking data including IP address, pages visited, and time of download requests. These traces are then filtered and spontaneously hand-drawn on the 3D desert landscape print. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420752243151-U1XXGQRXB8XB7QCKRF6D/oneandahalf.jpg PRINTS - Terrain6c_3: Ninty Seconds, 2006 Ink drawing on Lambda print 30 x 40 in / 76 x 102 cm Unique As visitors navigate World of Awe: A Traveler's Journal, they leave behind tracking data including IP address, pages visited, and time of download requests. These traces are then filtered and spontaneously hand-drawn on the 3D desert landscape print. The data in this piece represents the first 90 seconds of the day: 00:00:00 – 00:01:30. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420751415017-GXMHH3UFLS6PVTLSED78/swarm.jpg PRINTS - Terrain6_6: Time Swarm, 2006 Ink drawing on Lambda print 30 x 40 in / 76 x 102 cm Unique As visitors navigate World of Awe: A Traveler's Journal, they leave behind tracking data including IP address, pages visited, and time of download requests. These traces are then filtered and spontaneously hand-drawn on the 3D desert landscape print. This data represents a swarm of timestamps that hit the server over a period of several months. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421262507783-1IW46AI3RRFPDI355K28/undo-print.jpg PRINTS - Undo, 2007 Ink drawing on Lambda print 29 x 42.5 in / 74 x 108 cm Unique A rendering from the scene Undo in Object of Desire, using an image from the 1895 Montgomery Ward & Co. Catalogue and Buyer's Guide as the basis for the ark model. The hand-drawing interprets traffic data left by those who visited the Undo webpages, then hosted on a server in Tel Aviv by the Israeli Center for Digital Art's ArtLab. This work was included in the solo exhibition Object of Desire exhibition at the Jewish Museum's Media Center in New York. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419440911412-Z9XGVJCSCZ9Z1Q6RLQJP/terrain9_3a_6.jpg PRINTS - Terrain9_3a_6: Crumbs, 2007 Ink drawing on Lambda print 20 x 15 in / 51 x 38 cm Unique Private collection A rendering from the scene Crumbs in Object of Desire. The ink drawing interprets traffic data left by those who visited the Crumbs webpages, then hosted on a server in Ramallah, Palestine. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419440911198-1S6XHXWSX281A5KTSV0I/terrain7a_5.jpg PRINTS https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420580231593-M858D3CHJNL9FJUR837U/jpeg.jpg PRINTS - Pod, 2004 Digital C-Print 23 x 30 1/2 in / 58.6 x 77.2 cm 60 3/4 x 66 in / 154.2 x 167.6 cm Edition of 6, 1 AP "Cycles" is a photographic series of performed actions, as written in computer code (Linux Kernel). This machine language, a narrative of instructions based on English, is then transferred to organza ribbon. A single character, the User, performs machine and human functions in a sterile, functional environment warmed by low orange light reminiscent of a sunset or sunrise. The final resting point for the code is in two sculptures: SPIN_LOCK and Heart in Heart. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420755455293-2PY67DO77BO5ST4JUXIF/attached.jpg PRINTS - Attach, 2004 Digital C-Print 23 x 30 1/2 in / 58.6 x 77.2 cm 60 3/4 x 66 in / 154.2 x 167.6 cm Edition of 6, 1 AP "Cycles" is a photographic series of performed actions, as written in computer code (Linux Kernel). This machine language, a narrative of instructions based on English, is then transferred to organza ribbon. A single character, the User, performs machine and human functions in a sterile, functional environment warmed by low orange light reminiscent of a sunset or sunrise. The final resting point for the code is in two sculptures: SPIN_LOCK and Heart in Heart. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420579885797-2642F2FBSI5JG0MSCWPY/sockets.jpg PRINTS - Sockets, 2004 Digital C-Print 24 5/8 x 18 1/2 in / 62.5 x 47 cm 66 x 51 in / 167.6 x 129.5 cm Edition of 6, 1 AP "Cycles" is a photographic series of performed actions, as written in computer code (Linux Kernel). This machine language, a narrative of instructions based on English, is then transferred to organza ribbon. A single character, the User, performs machine and human functions in a sterile, functional environment warmed by low orange light reminiscent of a sunset or sunrise. The final resting point for the code is in two sculptures: SPIN_LOCK and Heart in Heart. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420579886004-52PPYR3S1VMLDUGUWTDI/unlock.jpg PRINTS - Ready, 2004 Digital C-print 28 x 21.5 in / 71.1 x 54.6 cm 66 x 51.75 in / 167.6 x 131.4 cm Edition of 6, 1 AP "Cycles" is a photographic series of performed actions, as written in computer code (Linux Kernel). This machine language, a narrative of instructions based on English, is then transferred to organza ribbon. A single character, the User, performs machine and human functions in a sterile, functional environment warmed by low orange light reminiscent of a sunset or sunrise. The final resting point for the code is in two sculptures: SPIN_LOCK and Heart in Heart. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420579886085-RZQXH7Q5N32FVZL9D8XV/ready.jpg PRINTS - Pause, 2004 Digital C-Print 28 x 21 1/2 / 71.1 x 54.6 cm 66 x 51 3/4 / 167.6 x 131.4 cm Edition of 6, 1 AP "Cycles" is a photographic series of performed actions, as written in computer code (Linux Kernel). This machine language, a narrative of instructions based on English, is then transferred to organza ribbon. A single character, the User, performs machine and human functions in a sterile, functional environment warmed by low orange light reminiscent of a sunset or sunrise. The final resting point for the code is in two sculptures: SPIN_LOCK and Heart in Heart. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420579886267-VGUPAV6QY5Q8390LGCKK/sleepmode.jpg PRINTS - Sleep Mode, 2004 Digital C-print 13.5 x 18.5 in / 34 x 46.7 cm 44 x 34 in / 112 x 86 cm Edition of 6, 1 AP "Cycles" is a photographic series of performed actions, as written in computer code (Linux Kernel). This machine language, a narrative of instructions based on English, is then transferred to organza ribbon. A single character, the User, performs machine and human functions in a sterile, functional environment warmed by low orange light reminiscent of a sunset or sunrise. The final resting point for the code is in two sculptures: SPIN_LOCK and Heart in Heart. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420579886473-JEE0IWECZI9ZMVUICTPK/skinning.jpg PRINTS - Shedding, 2004 Digital C-Print 44 x 34 in / 112 x 86 cm Edition of 6, 1 AP "Cycles" is a photographic series of performed actions, as written in computer code (Linux Kernel). This machine language, a narrative of instructions based on English, is then transferred to organza ribbon. A single character, the User, performs machine and human functions in a sterile, functional environment warmed by low orange light reminiscent of a sunset or sunrise. The final resting point for the code is in two sculptures: SPIN_LOCK and Heart in Heart. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420579886629-N9850MT8M367IDSU986S/dress_code.jpg PRINTS - Dress Code, 2004 Digital C-Print 44 x 34 in / 112 x 86 cm Edition of 6, 1 AP "Cycles" is a photographic series of performed actions, as written in computer code (Linux Kernel). This machine language, a narrative of instructions based on English, is then transferred to organza ribbon. A single character, the User, performs machine and human functions in a sterile, functional environment warmed by low orange light reminiscent of a sunset or sunrise. The final resting point for the code is in two sculptures: SPIN_LOCK and Heart in Heart. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420664081021-1ANTJ96Y33FJMXV0IA9U/wear.jpg PRINTS - Wear, 2004 Digital C-print 13.5 x 18.5 in / 34 x 46.7 cm 44 x 34 in / 112 x 86 cm Edition of 6, 1 AP "Cycles" is a photographic series of performed actions, as written in computer code (Linux Kernel). This machine language, a narrative of instructions based on English, is then transferred to organza ribbon. A single character, the User, performs machine and human functions in a sterile, functional environment warmed by low orange light reminiscent of a sunset or sunrise. The final resting point for the code is in two sculptures: SPIN_LOCK and Heart in Heart. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420579886827-F964NS8NY2E1TTIC91GX/afterthat.jpg PRINTS - Gaze, 2004 Digital C-print 13.5 x 18.5 in / 34 x 46.7 cm 44 x 34 in / 112 x 86 cm Edition of 6, 1 AP "Cycles" is a photographic series of performed actions, as written in computer code (Linux Kernel). This machine language, a narrative of instructions based on English, is then transferred to organza ribbon. A single character, the User, performs machine and human functions in a sterile, functional environment warmed by low orange light reminiscent of a sunset or sunrise. The final resting point for the code is in two sculptures: SPIN_LOCK and Heart in Heart. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420579887434-YY19FE8490UK92W9Y4JC/pause.jpg PRINTS - Cycles" (installation view) From Code:Skin at Nelly Aman Gallery, Tel Aviv. "Cycles" is a photographic series of performed actions, as written in computer code (Linux Kernel). This machine language, a narrative of instructions based on English, is then transferred to organza ribbon. A single character, the User, performs machine and human functions in a sterile, functional environment warmed by low orange light reminiscent of a sunset or sunrise. The final resting point for the code is in two sculptures: SPIN_LOCK and Heart in Heart. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419885673674-RHIMZ1NEUFF9M43LKTFP/image-asset.jpeg PRINTS - "Love Letters from a World of Awe" flier, 1995 The first flier in the East Village cafes to include a URL to a net art work, possibly the first flier to include a URL altogether. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421078952185-QMJPKNFTUFNJ2BQ6NYQM/7a.jpg PRINTS - Polaroid of "Love Letters from a World of Awe" flier, 1995 Polaroid Unique This polaroid was taken on the corner of 7th Street and Avenue A. The establishment across the street is long gone. The polaroid was scanned and introduced into the net art piece it promotes to create a feedback loop between the physical and virtual spaces. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421078962727-HJW03SBTINAHNH848NC3/hole.jpg PRINTS - The Hole of the Lost Treasure, 1994 Cardboard box, black velvet, small things These two polaroids show interior and exterior shots of the sculpture The Hole of the Lost Treasure. https://www.yaelkanarek.com/videoclocks daily 0.75 2021-06-30 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1427673034415-5XSJX086ZR83XMUDCHRT/image-asset.jpeg VIDEOCLOCKS - Jerusalem to Tel Aviv, 2010 Custom software, computer, video display One year cycle Screen dimensions variable Edition of 6 Jerusalem to Tel Aviv uses footage shot from the window of a taxi van and synchronizes the clips to an annual clock. Calling the half, three-quarter and full hours, time in this looping visual experience is marked by audio recordings of church bells, dogs, and crows. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1427673034415-5XSJX086ZR83XMUDCHRT/image-asset.jpeg VIDEOCLOCKS - Jerusalem to Tel Aviv, 2010 Custom software, computer, video display One year cycle Screen dimensions variable Edition of 6 Jerusalem to Tel Aviv uses footage shot from the window of a taxi van and synchronizes the clips to an annual clock. Calling the half, three-quarter and full hours, time in this looping visual experience is marked by audio recordings of church bells, dogs, and crows. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419351031922-PZB4JFT01TK5FS9YF6HK/image-asset.jpeg VIDEOCLOCKS - Jungle: Lopate vs. Bresnick, 2013 Custom software, computer, video display One year cycle Screen dimensions variable Software designed by Yael Kanarek and Shawn Lawson Jungle: Lopate vs. Bresnick, recounts a casual tennis match that took place in Italy between two of Kanarek's collegues, essayist Philip Lopate and composer Martin Bresnick. Structured to reflect current time, custom software controls the video playback, synchronizing a myriad of clips and sounds. At the fourth quarter of each hour, the voice of Werner Herzog describes the jungle of Fitzcarraldo as an unfinished part of creation. Marking the passing of minutes, days, months and years, Mighty Mouse (also known as the Mouse of Tomorrow) valiantly flies across the screen. Jeff Buckley’s opening breath from the song "Hallelujah" strikes on the top of each hour. The project was filmed in during an artists residency at the Civitella Ranieri in Umbria, Italy. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419351159764-GDK9BASN5ZY2NTB49O8A/image-asset.jpeg VIDEOCLOCKS - Swing, 2011 Custom software, computer, video display Infinite duration Screen dimensions variable From the 16th Century until the 1930s, the most accurate time-keeping technology was the pendulum. Now obsolete, the pendulum is alluded to with the swinging gesture of a child named Yoav. For he and the other children, time is digital and about counting numbers. In Swing, they take upon themselves the role of timekeepers. At the 23rd minute of the hour, for example, his brother Nadav announces that Yoav has been swinging continuously for 23 minutes. Every hour, the two brothers and their friends discuss the scarcity of water in Israel and the lack of peace with Syria. Aged between 6 and 8 years old, their simple conversations voice international concerns and national anxieties. Using sound as the primary marker of time, seconds are indicated by dripping water, as are the strikes at the top of an hour. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419356273421-Z83L1BLPPQBJXFNLEJSX/image-asset.jpeg VIDEOCLOCKS - Explosion 1960, 2011 Custom software, computer, video display, sound, 24" screen, custom wood box One year cycle Software designed by Yael Kanarek and Shawn Lawson Explosion 1960 employs the computer clock as a playback metronome. Over a year, as full revolution is completed. Each explosion on the screen is synchronized in a loop with with six temporal unit of measure: seconds, minutes, hours, days, months and years. The top of each hour is struck in repetition in the manner of traditional clocks. Appropriated footage in this piece comes from U.S. Atomic Energy Commission ducumentaion during Operation Dugout in 1960 showing the results of massive underground test explosions. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1427673077824-X8E547WRKO9WQNLQ8TJW/image-asset.jpeg VIDEOCLOCKS - Heavenly, So Long!, 2011 Custom software, computer, video display Infinite duration Screen dimensions variable (minimum projection: 15 feet wide) Software designed by Yael Kanarek and Shawn Lawson Sound by Andrea Parkins Commissioned by Flux Factory, Queens Heavenly, So Long! was commissioned by Flux Factory for the exhibition The Typhoon Continues and So Do You. Artists were presented with five political viral media items and were asked to select one to react to. This piece emerged from a viral remix of a North Korean Army March. Sound designed by Andrew Parker https://www.yaelkanarek.com/and daily 0.75 2016-04-03 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420775627166-1U6DBGSOJ4Q1WECQKQNT/yael_kanarek_oct_16-001330-2.jpg +AND - Love Letter Demolition Performance, 2010 Ladder, Sawzall, Louboutin stilettos, fishnets, lipstick, and silk dress The demolition of the site-specific piece was the closing event of the solo exhibition Notyetness at bitforms gallery. The demolition was performed for the cameras, to exist publically as documentation. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420764850387-05DW3KF56C6U3F4D991S/yael_kanarek_oct_16-001607-2.jpg +AND - Love Letter Demolition Performance, 2010 Ladder, Sawzall, Louboutin stilettos, fishnets, lipstick, and silk dress The demolition of the site-specific piece was the closing event of the solo exhibition Notyetness at bitforms gallery. The demolition was performed for the cameras, to exist publically as documentation. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421080412231-FBC5Y5EG27V7UQZQAIYT/image-asset.jpeg +AND - Trigger Words Performance, 2010 8 participants Trigger Words took place during the exhibition "HOW TO DO THINGS WITH WORDS, An Exhibition of Radical Speech Acts," curated by Melanie Crean at Parsons The New School for Design. The performance followed a loose score, collaboratively conceived and translated by participants in eight languages. The participants taught each other how to pronounce the word in the respective languages. The calling out of each word sequence was matched with a group formation. Score Sample Start at window with "rape" in front of the window facing the street Ones - Hebrew Violar - Spanish Najisi - Swahili Ighteesab - Arabic Khom Khuen - Thai Seong Po Kaeng - Korean Rape - English American Sign Language Feedback from participants: Ziggy: "I was nervous at first since I hadn't been in town for rehearsal, and wasn't sure how the whole thing was going to happen, and I'm pretty shy being the center of attention. I would say I got the idea around the third word. I liked that the audience was interactive and loved taking suggestions from them. Certain movements didn't really do it for me, for example walking around the room shouting “whore”, but I did like how we positioned ourselves for “king” and really liked the group hug for “aids”. In future I would say we should make sure the movement/positioning correlates as much as possible to the word in a way that gets it across to the most number of people. After we were finished, I thought of two more words we could do next time, so my creativity was definitely flowing. I was definitely more comfortable. All in all a great experience, Im glad I made the time to participate. It was very interesting to see how things can be so different (for example “king” in Thailand or Cuba or even “society” from one Middle Eastern country to another) or similar to the rest of the world. Excellent project!!" Rose: "First of all, it was awesome meeting all of you! am glad I participated in this. I think this whole experience has given me more awareness to words , so many times we speak without ever thinking of how our words are affecting the people around us. I really liked how the audience participated, somehow I didn't expect them to be that eager to participate. I sort of wish we choreographed our movements a bit more, if we had an order that we had agreed upon earlier, that way the whole performance would have been more powerful. To Yael and Lauren - Thank you so much for planning this and for letting us participate. It was absolutely great to work with this team!" Aimee: "I thought I would be more shy and awkward during the performance, but I was not. I guess it was because we started the first word by facing outside and I didn't have to make an eye contact to the audiences. That's one good thing. :) I also like the discussion after the performance was over. I think it was the perfect conclusion of what we all just did in the room. However, I think we should discuss not only the word like, “King,” but also all of the words we just had performed. I remembered that we had discussed about the word “Aids” during the rehearsal and it was interesting to hear a story of it and how big this word is in Kenya. It was a little bit sad that we didn't share to the audience on the real day. All in all, I really like it and feel so overwhelmed that I had a chance to participate and use my "Thai" in this kind of art. :D Oh, I also think that it was really amazing that there was a sign language in the performance. I like it a lot. ;)" Lisa: "I think the concept for this project is really wonderful. Very simple yet very powerful. Language always fascinates me, it is what shapes us and shapes how we think and perceive the world, it is important to reflect on it and the similarities/differences between languages. I would say the night seemed more like a strong workshop. I think the engagement with the audience and the conversations were very strong. To really polish it and make it more powerful the group would just need maybe two more rehearsals and some variety in speech rhythm/speed/intensity etc. Something that was for sure talked about, but due to time constraints not executed as much as perhaps wanted. The variety and a more choreographed start could blend well and open up more possibilities for audience engagement. It is a great way to disassociate some intense feelings with word sand free them up perhaps, at least a little. Thank you very much to all, I really enjoyed the group of people and the experience!!" https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419440247888-2AUQ7EODYEKU2PXF55S3/r2r.jpg +AND - On the Twenty-Somethingth Mile, 2005 Performance duration: 15 min The Drawing Center for the "River to River" festival, NYC Conceived and performed with performance artist Nao Bustamante. Music by Yoav Gal and a dancefilm by Evann Siebens. The program was organized by The Drawing Center for the River to River festival in downtown Manhattan. In addition ot the performance, the program included two video screenings by Shahzia Sikander and William Kentridge. The performance included two songs and two love letters: Pearl, Conception/Mis, and Portal from the World of Awe: A Traveler's Journal. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421084309893-C98MC093GXCHSJIAR1HN/here.jpg +AND - Love Letters from a World of Awe Performance, 1997 One-person, multimedia performance, including love letters, slides, and song narrated by a single performer seated with her back to the audience. The performance took place at the The American Living Room, an annual summer festival featuring new works by emerging artists held at HERE, NYC. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419906160036-UJKV8IAQH2BRPDN9J4ZQ/image-asset.jpeg +AND - Schedule_Task, 2004 Video 2:31 Minutes Edition of 6, 1 AP Collection of CU Art Museum, University of Colorado at Boulder This video artwork simulates a computer process called schedule task. The two screens alternate a simple action. On the left, the User wakes up from sleep mode and is ready for action, on the right, the User taps her knee while singing Ring of Fire by June Carter Cash. The video is a continuous loop. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419440398383-T6NMFGGTFYSJOKDEE8TT/cd.jpg +AND - Bit by Bit, Cell by Cell, 2005 Enhanced Music CD Innova Recordings This enhanced CD is the result of a collaboration between composer Yoav Gal and dance filmmaker Evann Siebens. Love letters and travelogs from the Traveler's Journal were set to music. Eleven music tracks alternate between a digitally manipulated soprano (Sarah Rivkin) and instrumental music composed for an Atari 800 XL. The CD is available on Amazon, iTunes, Innova recordings label, Eyebeam's bookstore, and soon here. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419442005959-U4OC8FN3V5CAQ6YIYRIU/floppies.jpg +AND - Love Letters from a World of Awe floppies, 1996 HTML files, jpgs and gifs on floppies Mac, Netscape 3.0 + RealAudio player PC native web browser Edition unknown. A few are available. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421079374448-3ZTYSGT6I3Z0JUKFE5HM/mousepad.jpg +AND - World of Awe Mousepad, 2000 Mouspad Designed for Rhizome circa 1998 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421261754052-E1NQM4E9AJG4OL1Z3G96/installation1.jpg +AND https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421261854471-61SM8GY44ZJQJ4C6QQLO/backroom1.jpg +AND https://www.yaelkanarek.com/sculpture daily 0.75 2019-10-22 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1547597436188-0N7RNGKI5NQTSRWXNK2B/IMG_4107.JPG SCULPTURE - Day/Night, 2018 DAY/NIGHT is a site-specific sculpture by Yael Kanarek that was commissioned for the new US embassy in Harare. The sculpture is suspended from the ceiling to form a cluster of 76 units for the words Day/Night in the 19 languages spoken in Zimbabwe. This universal theme is expressed as a sound cloud of languages and a vibrant palette of warm and cold colors. Various parts of the sculpture highlight throughout the day by the changing sunlight in the gallery hall. Sudden air flow causes words to swivel. The sculpture embodies the dynamism and transaction inherent in languages. Research for this sculpture was made possible by the Arts in Embassies Cultural Exchange program, ensuing conversation with linguists and ethnographers from three universities in Zimbabwe to inform the design process. http://www.yaelkanarek.com/news/2019/1/15/daynight-2018 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421355400544-NB8IRT010XVH91R60QH3/jpeg.jpg SCULPTURE - Perpetual Dreamcatcher, 2013 Rock climbing ropes, wool and acrylic yarns, carabiners, coeur anchors, barbie weights Dimensions variable Adapted from Leonardo Da Vinci’s drawings for a perpetual motion machine (Forster Codex, Volume II, Verso 91) https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419899252952-FNNPRXVXDSL8SVMJYZ6L/jpeg-2.jpg SCULPTURE - Perpetual Dreamcatcher, 2013 (installation view) Rock climbing ropes, wool and acrylic yarns, carabiners, coeur anchors, barbie weights Dimensions variable Adapted from Leonardo Da Vinci’s drawings for a perpetual motion machine (Forster Codex, Volume II, Verso 91). https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419898201937-FXKPV3GRWOY71EZAB4MT/jpeg-3.jpg SCULPTURE - Heart in Heart, 2004 Sheer organza ribbon, two metal meathooks, aircraft cable Dimensions variable Collection of EMST Museum, Athens, Greece Text: love letters from World of Awe, Chapters One and Two; Linux Kernel source code https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419438972513-OTX591SD7O7IY02T8ILG/spin-lock.jpg SCULPTURE - SPIN_LOCK, 2004 Sheer organza ribbon, metal hook, aircraft cable, pulley Dimensions variable Text: Linux Kernel files https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419439798733-II52QVOQN32F3VTMM3GQ/feedback_loop.jpg SCULPTURE - Feedback-Loop, 2004 Steel, candle, pearl, hand drawn ink and pencil on parchment 20 x 15 x 27 in / 50.8 x 38 x 68.6 cm Edition of 3 Text: The Love Letter: 69.325 from World of Awe, Chapter 2, Destruction & Mending (front); Linux Kernel file source code defining schedule task (back) https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420577744166-PPMCRDCHX1LS80Q24Q2N/YK_03917.jpg SCULPTURE - Notyetness, 2010 (installation view) https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420577744709-74P2JPHK1TL4F5GJ9XY8/YK_03964.jpg SCULPTURE - Keys, Pearls and Dice, 2010 Self-hardening clay, steel, wood, 14k gold and silver chains Various dimensions https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420577744844-9N65ZVHC1VKQWS7JTMI1/YK_03967.jpg SCULPTURE - Keys, Pearls and Dice, 2010 Self-hardening clay, steel, wood, 14k gold and silver chains Various dimensions The clay sculptures draw upon vocabularies of jewelry and gaming–the clay is sliced, rolled and pressed with gold and silver chains, or bear the marks of fingers inserted to render cubes into dice. This series of sculptures evaluates and connects differing value systems — jewelry, gaming and the body. To record a raw and visceral interaction with the material, the making process was conditioned by a rapid action: Pound, press, role, slice, finger and skew. No reevaluation. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1625007928318-EPZ6479AI0SEOI1IWPCA/pearl4.jpg SCULPTURE - Pearls 4, 2010 Self-hardening clay, steel, wood, silver chains 24 x 6 x 5.75 in / 61 x 15.2 x 14.6 cm https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421112509149-1EEHNJ7U4IK57SM0GQ8Q/key3.jpg SCULPTURE - Keys 3, 2010 Self-hardening clay, steel, wood, 14k gold chain, lettering 15.75 x 6 x 6 in / 40 x 15.2 x 15.2 cm Text in 14k gold letters: I found the key to extreme beauty. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419445567926-8R8QHOABGV3ET8LIMRQE/pearl1.jpg SCULPTURE - Pearl No. 1, 2010 Self-hardening clay, silver chain 5 x 9 x 9 in / 12.7 x 22.9 x 22.9 cm https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420579094822-KJHYT5SGWPSNQBD63KBE/key2.jpg SCULPTURE - Key 2, 2010 Self-hardening clay, steel, wood, 14k gold chain and lettering 12.25 x 6 x 5.75 in / 31.1 x 15.2 x 14.6 cm Text: I found the key to extreme beauty. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419445567963-313YDMKZZJ6GCZD8CMQZ/pearl2.jpg SCULPTURE - Pearl, 2010 Self-hardening clay, silver chain https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419445568071-1JA0MO5JZLAYLYRXTG38/pearl3.jpg SCULPTURE - Pearl No. 3, 2010 Self-hardening clay, wood, silver chains 5" x 23" x 21" / 12.7 x 58.4 x 53.3 cm https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421356928859-ANDOSK7SJ22KQ6OZYHK0/image-asset.jpeg SCULPTURE - Key: Clay, Gold, Pecki, 2010 Self-hardening clay, steel, wood, 14k gold chain, lettering 12 x 6 x 4" / 30.5 x 15.2 x 10.2 cm Private collection Text: "I Found the Key to Extreme Beauty." The work incorporates three components: a sculpture, necklace and title. Once the sculpture and necklace were purchased, the name of the woman, Pecki, was introduced into the title. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421258485638-8J4PO2NM8BE9XMN969LI/YK_9076pub.jpg SCULPTURE - Find, 2010 (installation view) sand, rubber, glue, print on polyester installation dimensions variable print: 126" x 118" / 320 x 300 cm Text: (from Object of Desire) Love letter 2687/654: Find Sunset/Sunrise Precious, A drop of water in one hand . . . an ocean in the other. A drop of water is one and an ocean is one. Many ones within the one. Obvious. An ocean is a world. A drop of water is a world. A drop of ocean; such are my treasure crumbs. There are 250,368,000,000,000,000,000,000 teaspoons of water on planet Earth. None in Sunset/Sunrise. Quadrillion, quintillion, sextillion, septillion 000,000,000,000,000,000,000,000,000,000,000 How many cups of tea? I missed you while near you. I miss you now more. Your hand in mine. In the back of my mind harbors the thought: I don’t know the way back home. Yours forever Yours sunset/sunrise forever yours Yours forever yours https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420869426686-E5G5S619EMGNBA8GF8FK/tree-tent.jpg SCULPTURE - Speaker Tree, 2001 Speakers, computer, cables, wires, soundtrack Dimensions variable Audio from Hello, 2002 Installation from the World of Awe solo exhibition at The Moving Image Gallery, New York, directed by curator Michele Thursz, June 7 - June 30, 2001 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420869433623-NZ623E2RTM4GLN4ZRIBT/roam-sculpture.jpg SCULPTURE - Roam, 2001 Computer, speakers, custom self-generating landscape software, soundtrack Dimensions variable Installation from the World of Awe solo exhibition at The Moving Image Gallery, New York, directed by curator Michele Thursz, June 7 - June 30, 2001 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420869417976-52TKCR7TGLXGDSS9VDN3/tent.jpg SCULPTURE - Tent, 2001 Computers, keyboards, plastic, stick, nails, soundtrack Audio derived from World of Awe: A Traveler's Journal [section, date] The installation took place at Moving Image Gallery, NYC from June 7 - June 30, 2001. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420932159519-VY5Y13YJSQQMB7BRU88I/image-asset.jpeg SCULPTURE - Treasure Crumbs Capsule, 2001 Gelatin capsule, candy sprinkles, acrylic box 1" x 1" x 1" / 2.5 x 2.5 x 2.5 cm Unlimited edition Based on "treasure crumbs" from World of Awe: A Traveler's Journal https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421356928859-ANDOSK7SJ22KQ6OZYHK0/image-asset.jpeg SCULPTURE - Copy of Key: Clay, Gold, Pecki, 2010 Self-hardening clay, steel, wood, 14k gold chain, lettering 12 x 6 x 4" / 30.5 x 15.2 x 10.2 cm Private collection Text: "I Found the Key to Extreme Beauty." The work incorporates three components: a sculpture, necklace and title. Once the sculpture and necklace were purchased, the name of the woman, Pecki, was introduced into the title. https://www.yaelkanarek.com/netart daily 0.75 2017-11-09 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1487121564374-JP70D5Y52ZXM2PS5KX1E/kisses-kisses.PNG NET ART - Kisses Kisses, 2017 Website http://www.worldofawe.net/kisseskisses Hand-coded net art work includes a recto and a verso. The verso is the source code. Accessed by Right-click or option-click > select 'source code.' Kisses kisses coming soon. This work was created for the one-person exhibition at bitforms gallery in May 2016 and updated in 2017. The painting was created in 1996. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419356567102-CX5925030D7NKA6WKF01/chap1.jpg NET ART - A Traveler's Journal, Chapter 1: Forever, 1999 Website http://www.worldofawe.net/ Forever is the first chapter of World of Awe: A Traveler's Journal. It includes love letters and diary entries, descriptions of navigation tools and treasure hunting equipment. The interface is based by early Mac graphical user interface design and Windows 3.1. Menu standards are appropriated to serves as entry points to this diaristic and epistolary narrative. Deeply yearning, an anonymous protagonist searches for a lost treasure in a parallel world. The Traveler's Journal employs a nostalgic, solitary voice to meditate on our obsession with digital technology. Enter Forever Forever was included in the 2002 Whitney Biennial and was shown on a laptop. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419356566314-8S0UV9XB7VLG363HCQSM/chap2.jpg NET ART - A Traveler's Journal, Chapter 2: Destruction & Mending Website http://www.worldofawe.net/ The second chapter of World of Awe: A Traveler's Journal, Destruction & Mending was commissioned and exhibited at the San Francisco Museum of Modern Art. The chapter employs a bomb graphic icon and the photographic pearl to carry the theme of destruction and mending. Enter Destruction & Mending https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419356567056-PYAX8J2FTBXHC6Q1G23D/chap3.jpg NET ART - A Traveler's Journal, Chapter 3: Object of Desire, 2006 Website http://www.worldofawe.net/ Object of Desire is a departure from the first two chapters of World of Awe: A Traveler's Journal. Made up of 15 scenes, animated in 3D and executed in Flash, the narrative is presented in three languages: English, Hebrew, and Arabic (appearance for French, Italian, and Spanish). The work marks the burgeoning interest in the Internet as an endless polyglot space. Object of Desire explores early literary themes and motifs born in the Middle East and Mediterranean cultures that are still vibrant in contemporary culture. Biblical themes and legends receive a new treatment that take into consideration the digital advancement, in the same nostalgic and romantic voice identified with the traveler. Funded by the Rockefeller Media grant and the MFA program at RPI, Object of Desire was exhibited among other places at The Jewish Museum in New York and EMST Museum in Athens. Enter Object of Desire https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1429204803408-IPHS6OSU9CKLAJ9F6ZPO/ood-installation.jpg NET ART - Object of Desire Installation, 2007 Reclaimed wood, Atari joystick, button, laptop, projector, and LCD screen. Collection of the EMST museum in Athens, Greece Interactive installation of Chapter 3, Object of Desire. The ark chair is based on an image of a Noah's ark toy from the 1895 Montgomery Ward & Co. Catalogue and Buyer's Guide. To navigate the website, one uses an original Atari joystick built into the left arm and a red button built into the right. The work was created for the one-person Media Center exhibition at the Jewish Museum, 2007. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421722274683-ELQ74ZQO21RA9J8LI978/58129_image_medium.jpg NET ART - Portal, a net dance, 2001 Website with Flash and audio http://turbulence.org/Works/yael/ Portal is a net dance created in collaboration with dance filmmaker Evan Siebens and musician Yoav Gal. Flash programming Meeyoung Kim. The work was commissioned by Turbulence.org in 2001 and was featured in a New York Times article in 2004, Art; A Video Game with Awe as Its Quest by Elizabeth Bard. Jo-Ann Green, Turbulence.org wrote: "We enter the dance via screens within screens, small pixels within large pixels, rendered pixels. This is a net.dance, the spatial and theatrical dimensions of which are very much about surface. We activate the dance square by square. The dance proceeds at the user's pace as we nudge the traveler along. Rather than being transported by the dance, we navigate the dancer's travels for her but there's only so much control we have in this predestined journey, which is hers alone. The traveler is alien to the Manhattan street. While the music's overall impact is hard and discordant—reflecting the city environment—she exists, perhaps, only in our minds as no one appears to notice her, and traffic does not stop for her. She's submerged in a world of make believe, playfully whipping pistols from her imaginary holsters. Each scene within the larger picture is a dance that culminates in a repetitive gesture, machine-like, robotic. We help the traveler negotiate the fence, and launch her into the in-between with a drag and a click. "There, the traveler is contained and vulnerable but flatness has given way to virtuality. Despite her confinement, we're comforted by her ability to breathe. The music is vocal as if here, though still alone, she no longer feels entirely alien. Still she's caged and unaware of our presence. Her nakedness suggests rebirth: where will she begin? We manipulate her this way and that: as the camera zooms in on her, she becomes progressively fragmented. As she's breaking apart, she suddenly confronts us. The traveler looks right at us and touches our hand—it is this sensory moment that catapults her into the next world. "The traveler is released into a vast desert where, again, she is alone. Once again the vocal music underlines her aloneness, its multiple voices the same voice. She trudges through the heavy sand, going nowhere. Her mirrored image is reminiscent of the corps de ballet: undifferentiated, regimented, and conformed. She becomes an army of reflections that cannot provide solace. She repeats her solitary dance. Her movements ripple through dunes and sky." https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421722150545-2W6VA7K4TEZJFPLYU6W2/54225_image_medium.jpg NET ART - Extreme Beauty, 2001 Webpage http://worldofawe.net/extremebeauty/extremebeauty.html Created for Rhizome.org's Splash Page series in 2001, Extreme Beauty is a short love poem from World of Awe: A Traveler's Journal. Beloved, I found the key to extreme beauty, but not the keyhole. I tried it in all the holes in my body none seemed to fit. Your forever Your sunset/sunrise forever yours Yours forever This short love letter poem appears in many works and media throughout the years. The piece was collected by Doron Golan for the Computer Fine Arts Collection archived by the Rose Goldsen Archive of New Media Arts at the Cornell University Library. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1447706867268-IM6255RMO75QS226HS94/maps.jpg NET ART - Library of Maps GIFs View here As visitors navigate World of Awe: A Traveler's Journal, they leave behind tracking data including IP address, pages visited, and time of download requests. The Library of Maps is a collection of over 1500 data maps of visitors' movements through the net art narrative, created by gathering their movements through the journal then randomly superimposing the data over 3d images of the World of Awe landscape, called Sunset/Sunrise. The mapping server-side software was written by Alex Galloway. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421721966282-112EPEYY3UZHBJE8PME2/54224_image_medium.jpg NET ART - Hello, 2002 Website with Flash and audio http://www.worldofawe.net/hello/ A second splash page comissioned by Rhizome.org, this piece is a single page work that articulates the feeling of yearning. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420581836603-XJHRJ0QD7ABT8ZSQQZ7I/window.jpg NET ART - Window, 2001 Website and Flash plugin http://www.drunkenboat.com/db2/kanarek/kanarek.html Commissioned for Drunken Boat, an online arts journal edited by Ravi Shankar. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420494669387-6XET4N1SGAXBF21J8K42/jpeg-8.jpg NET ART - Love Letters from a World of Awe floppies, 1996 Love letter "Do you know the sound of yellow?" HTML files, jpgs and gifs on floppies Mac, Netscape 3.0 + RealAudio player PC native web browser + + + Traveller's log 45/3 sunset/sunrise "Do you know the sound of yellow?" Beloved, If I was to show the ways of love the only thing I could answer this day is: Suspension. It is suspension (definition=suspense: The state or quality of being undecided or doubtful. Anxiety or apprehension resulting from an undecided, uncertain or mysterious situation). It is very, very yellow and very bareboned. I can't tell where the horizon should cut through. I took refuge under a fat yellow cumulus. It's suspended ... and if it moves an inch — I move an inch. and if it moves half an inch — I move half an inch. It's very, very yellow here. Can you feel the sound? Can you touch the sound? Do you know the sound of yellow? It's suspended. It's slick. It's hot - very hot - very yellow. I saw an insect crawl under my foot. I'm suspended too. I don't like insects crawling under my foot. This means discomfort. I wish north would show its face and get motion into cumulus. This suspension is heavy on the breathing, and my body is so big and needs so much air. Yellow suspension. I got to go got to run. I will bury this letter deep into cumulus for when motion comes and will turn the colors around. When it turns cumulus into blue, it will drop on you. This blue on you always blows my breath away ... here in suspension. It's very, very yellow here, hear - do you know the sound of yellow? Hello? hear — do you know the sound of yellow? Hello? hear — do you know the sound of yellow? Hello? Yours forever your sunset/sunrise 4ever yours yours 4ever yours https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420581807408-S4W6YVK2XMMBFB6VVHSG/roam.jpg NET ART - Roam 2.0, 2001 Custom software for PC Commissioned by the Alternative Museum Software programmed by Luiz Perez Roam 2.0 was an infinitely generative 3d terrain software. Navigation had two modes: Automatic and user controlled. The intention was to create a 3D game environment for the meditative experience of roaming. Although the software is now defunct, a series of screenshots of the terrain mapped with different images remain viewable. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420581814467-H0ER7IBAYNNZX4PO4FQ7/mrb.jpg NET ART - The mRB: A prototype for a super toy, 2002 Net art and installation Collaboration with bnode architects Created during a residency at Eyebeam, the project speculates on a super-toy called the mRB, modeled after the moodRingBaby mentioned in the World of Awe narrative. The project was installed at the exhibition Beta Launch at Eyebeam. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420581822402-GCY3D71K073BQKS1CYGI/llds.jpg NET ART - Love Letters Delivery Service, 2001 Website and email protocols Email protocol used take the Love Letters from the World of Awe: A Traveler's Journal Chapter 1: Forever and disseminate them, (mostly) to subscribers. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420581828971-JRNMBYH6O2J2NYQVTKGZ/woa97.jpg NET ART - Love Letters from a World of Awe, 1997 Website http://www.thebluedot.com/worldofawe/ Second version of Love Letters from a World of Awe website, formerly hosted on RSUB Blue Dot, the Razorfish experimental culture division. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420581829920-R8DQIWE02M6HORZ8RWZ7/woa95.jpg NET ART - Love Letters from a World of Awe, 1995 Website http://worldofawe.net/woa95/index1.html The first edition of the World of Awe website. The piece integrates paintings from that period and East Village stories. One of the earliest net artworks, this piece was an experiment on every level—creative, formal, and conceptual—that attempted to explore both the Internet and an Internet art work. https://www.yaelkanarek.com/textworks daily 0.75 2021-06-29 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1624981681645-7Z9X6827XDC4DPZSFJS3/image-asset.jpeg TEXTWORKS - Red, 2019 Watercolor on cotton paper 100cm x 100cm Private commision A portrait in personality attributes collected from family and friends. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1624981681645-7Z9X6827XDC4DPZSFJS3/image-asset.jpeg TEXTWORKS - Red, 2019 Watercolor on cotton paper 100cm x 100cm Private commision A portrait in personality attributes collected from family and friends. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1624980892934-9JSVVU00J3G82IGF0GGM/image-asset.jpeg TEXTWORKS - Echoes, 2019 Watercolor on cotton paper 100cm x 100cm Private commision A portrait in personality attributes collected from family and friends. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1624981785258-PWDW7UJQJC45YHBC4Q06/image-asset.jpeg TEXTWORKS - Autumn, 2019 Watercolor on cotton paper 100cm x 100cm Private commision A portrait in personality attributes collected from family and friends. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1509989641317-R2A9L300D2NEHM5B14RD/magic-final.jpg TEXTWORKS - Magic, 2017 Silicone on wood 5ft diameter Private commission The word Magic in five languages; English, Hebrew, Sanksrit, Spanish and Latin. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1426205340359-WJOM4RNH80XXYV6TLY13/damyeni.jpg TEXTWORKS - Damyeni, 2015 Silicone on wood 22 x 27 x 3 in / 55.9 x 68.6 x 7.6 cm Institutional collection Damyeni is mesh rectangle that renders the word 'Imagine' in six languages. The title Damyeni is the Hebrew point of entry addressed to a woman. Transliteration and Denotations: Arabic, Tu-kha-eelu, also means “to visualize”; English, Imagine, often brings to mind John Lennon's song; Hindi, Kalpanā, also a common name for women, means imagination and creativity; Hebrew, Dam-ye-ni, “imagine” addressed to a woman; Japanese, Sōzō, a word that describes imagination and creation; Portuguese, Imaginar, directly translated as “to imagine” https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419621438059-V4MXNWVUTO55AZINLBLJ/imagine-horizon.jpg TEXTWORKS - Imagine Horizon, 2014 Silicone on wood 240 x 33 in / 609.6 x 83.82 cm Corporate commission Imagine Horizon is a 20-foot mesh rectangle that uses the concept 'Imagine' in six languages. Transliteration and Denotations: Arabic, Tu-kha-eelu, also means “to visualize”; English, Imagine, often brings to mind John Lennon's song; Hindi, Kalpanā, also a common name for women, means imagination and creativity; Hebrew, Dam-ye-ni, “imagine” addressed to a woman; Japanese, Sōzō, a word that describes imagination and creation; Portuguese, Imaginar, directly translated as “to imagine” https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1427854347511-CQH9FZ00RRL2U9QB9Q5A/imagine-horizon.png TEXTWORKS - Imagine Horizon, 2014 (installation view) Wood, silicone words in six languages: Arabic, English, Hindi, Hebrew, Japanese, Portuguese 33 x 240 in / 83.8 x 609.6 cm Corporate commission Imagine Horizon is a 20-foot mesh rectangle that uses the word 'Imagine' in six languages. Transliteration and Denotations: Arabic, Tu-kha-eelu, also means “to visualize”; English, Imagine, often brings to mind John Lennon's song; Hindi, Kalpanā, also a common name for women, means imagination and creativity; Hebrew, Dam-ye-ni, “imagine” addressed to a woman; Japanese, Sōzō, a word that describes imagination and creation; Portuguese, Imaginar, directly translated as “to imagine” https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1509989422626-9LODEMVP6CFPF485XN8C/magic-final.jpg TEXTWORKS - Magic, 2017 Silicone on wood 5ft diameter Private commission The word Magic in five langauges; English, Hebrew, Sanksrit, Spanish and Latin. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421719868239-YXUV9KBGRE76P89Z0HKW/greenBlouse.jpg TEXTWORKS - White Between the "Green Blouse" and Sneakers, 2011 Silicone on wood The word “white” in nine languages: Amharic, Arabic, English, German, Hebrew, Japanese, Chinese, Latin, Russian diameter 42 in / 106.7 cm, depth 2 in / 5.1 cm Unavailable This work uses a mix of two color palettes: that of recent sneaker design trends and that of the painting The Green Blouse (1919) by Pierre Bonnard. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421719719703-OP12CCUSRHG6TEIH2JAI/greenblous-detail.png TEXTWORKS - White Between the "Green Blouse" and Sneakers (detail), 2011 Detail https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1623870589196-3810EYS1RF0PO96GB54M/sanctify-thyself.jpg TEXTWORKS - Sanctify Thyself, 2013 Silicone on wood The word “white” in nine languages: Amharic, Arabic, English, German, Hebrew, Japanese, Chinese, Latin, Russian diameter 42 in / 106.7 cm, depth 2 in / 5.1 cm As a performative act, this work was put in service; viewers were invited to turn their back to the work and take an Instagram photo playing “self sanctification.” This shift of purpose was inspired by an interview with poet Jane Hirshfield on finding the Buddha casually in people. #sanctifythyself Instagram feed Transliterations: Amharic, Holi; Arabic, Abiad; English, White; German, Weiss; Hebrew, Lavan; Chinese, Bái; Japanese, Shiro; Latin, Niveus; Russian, Bhehley. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421356079939-C62SG1QFXIWSXLC1W9FF/jpeg-2.jpg TEXTWORKS - Rainbow, towards a New Balance (Made in the USA), 2013 Silicone on wood The word “white” in nine languages: Amharic, Arabic, English, German, Hebrew, Japanese, Chinese, Latin, Russian diameter 42 in / 106.7 cm, depth 2 in / 5.1 cm Exhibited in the Art in Embassies program for the U.S. Ambassador for the OECD in Paris. #rainbowtowardsanewbalance Instagram feed The color palette of Rainbow, towards a New Balance (Made in the USA) is drawn from a pair of athletic shoes belonging to the artist. Transliterations: Amharic, Holi; Arabic, Abiad; English, White; German, Weiss; Hebrew, Lavan; Chinese, Bái; Japanese, Shiro; Latin, Niveus; Russian, Bhehley. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419822225651-TGXEHOL39ICJARE7QF8Y/jpeg-3.jpg TEXTWORKS - Rainbow, Toward a New Balance Shoes worn by the artist, Silicone on wood The word “white” in nine languages: Amharic, Arabic, English, German, Hebrew, Japanese, Chinese, Latin, Russian diameter 42 in / 106.7 cm, depth 2 in / 5.1 cm The fluorescent color palette of Rainbow, towards a New Balance (Made in the USA) is drawn from a pair of athletic shoes belonging to the artist. Transliterations: Amharic, Holi; Arabic, Abiad; English, White; German, Weiss; Hebrew, Lavan; Chinese, Bái; Japanese, Shiro; Latin, Niveus; Russian, Bhehley. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421257907984-P9CBQEEPQOB20ERL5WCG/deeply-concentric.jpg TEXTWORKS - Deeply Concentric, 2013 Silicone on wood The word “white” in nine languages: Amharic, Arabic, English, German, Hebrew, Japanese, Chinese, Latin, Russian diameter 42 in / 106.7 cm, depth 2 in / 5.1 cm The title, Deeply Concentric, comes from first complete English translation of Kandinsky’s seminal text “On the Spiritual in Art” (1946), by the Guggenheim Museum: “Deeply concentric, each art is separated from the other, but on the other hand, they are combined by their innermost tendencies. Thus, it is found that every art has its own strength, which cannot be substituted for another. Therefore, we finally arrive at the encroachment of the power of the various arts upon one another.” https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419818968679-YK8ON4L3NNXG8O6KUP2N/image-asset.jpeg TEXTWORKS - Blue Orange, 2012 Silicone and pigment on wood diameter 42 in / 106.7 cm, depth 2 in / 5.1 cm Private commission Constructed with the ancestral languages of a prominent European family, this linguistic, historical portrait employs the word 'Orange' in French, Dutch, German, Russian, English and Sanskrit. Sanskrit points to the origin of the word 'Orange' as it relates to the fruit and draws a line to India and the Indo-European link. Cobalt blue is the second of the family's colors. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419878256034-VEHRKCIZRKN96NQ67MW8/-6.jpg TEXTWORKS - Wavelength Range of Roughly 630–740 nm, No. 1, 2007 Silicone on wood The word "red" in five languages: English, Hebrew, Arabic, Yiddish, and Spanish diameter 40 in / 101.6 cm Unavailable Transliterations: French, Rouge; English, Red; Arabic, Ahmar; Spanish, Rojo; Hebrew, Adom. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419038396758-H8H4NI983E3IRY7IFXFQ/wavelength2.jpg TEXTWORKS - Wavelength Range of Roughly 630–740 nm, No. 3, 2010 Silicone on wood The word "red" in five languages: English, Hebrew, Arabic, Yiddish, and Spanish diameter 40 in / 101.6 cm Unavailable Transliterations: French, Rouge; English, Red; Arabic, Ahmar; Spanish, Rojo; Hebrew, Adom. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421357285707-MI5KZ4C8UZS2OG0MBUXB/iLgJslkkz0RcT5oGQl_8bNPVeXPcl5vLwnND30aBTf4.jpg TEXTWORKS - Wavelength range of roughly 630–740nm No. 5, 2011 Silicone on wood The word "red" in five languages: English, Hebrew, Arabic, Yiddish, and Spanish diameter 40 in / 101.6 cm Unavailable Transliterations: French, Rouge; English, Red; Arabic, Ahmar; Spanish, Rojo; Hebrew, Adom. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421721466295-87AA0HU8KULQRAVLQTCZ/jpeg-4.jpg TEXTWORKS - Wavelength Range of Roughly 630–740 nm, No. 7, 2011 Silicone on wood The word "red" in five languages: English, Hebrew, Arabic, Yiddish, and Spanish diameter 72 in / 182 cm Transliterations: French, Rouge; English, Red; Arabic, Ahmar; Spanish, Rojo; Hebrew, Adom. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421344602405-9PY7NJYL85JAVZMGJ090/nude1.jpg TEXTWORKS - Nude No. 1 (My Albers), 2010 Silicone on wood The word “white” in nine languages: Amharic, Arabic, English, German, Hebrew, Japanese, Chinese, Latin, Russian 31.5 x 31.5 in / 80 x 80 cm The universalism of Josef Albers' Homage to the Square is examined in Nude, No. 1. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421344744812-VA74CIY38Z4ZYUWDBAAA/nude2.jpg TEXTWORKS - Nude No. 2 (My Albers), 2010 Silicone on wood The word “white” in nine languages: Amharic, Arabic, English, German, Hebrew, Japanese, Chinese, Latin, Russian 31.5 x 31.5 in / 80 x 80 cm Private collection The universalism of Josef Albers' Homage to the Square is examined in Nude, No. 2. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421344301484-RYSMUAMID6W39B3VVAJW/notyet2.jpg TEXTWORKS - Not Yet No. 2, 2010 Wood on silicone, pencil The phrase “not yet” in Hebrew and Arabic 72 x 72 in / 183 x 183 cm Transliterations: Hebrew – Ada’in Lo Classical Arabic – Hatta https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420225147090-XPPZVJU1OV6OKR3RQ3XG/YK_03923.jpg TEXTWORKS - Notyetness Installation View Installation view from the solo exhibition Notyetness at bitforms gallery, 2010. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421357642714-R2EWO7D5C277VBF51KHX/-2.jpg TEXTWORKS - White No. 1, 2010 Silicone on wood The word "whore" in five languages: English, Arabic, Hebrew, Yiddish, Spanish 40 x 40 in / 101.6 x 101.6 cm Transliterations: Hebrew - Zona Arabic - Sharmoota Yiddish - Hor Spanish - Puta English - Whore https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421357789393-BUW0VD4XOXUQATUJA7LB/-4.jpg TEXTWORKS - White, No. 2, 2010 Silicone on wood The word "whore" in five languages: English, Arabic, Hebrew, Yiddish, Spanish 40 x 40 in / 101.6 x 101.6 cm Transliterations: Hebrew - Zona Arabic - Sharmoota Yiddish - Hor Spanish - Puta English - Whore https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421357895642-YE73EHNP75V71NOFJ64W/white3.jpg TEXTWORKS - White No. 3, 2010 Silicone on wood The word "whore" in five languages: English, Arabic, Hebrew, Yiddish, Spanish 40 x 40 in / 101.6 x 101.6 cm Transliterations: Hebrew - Zona Arabic - Sharmoota Yiddish - Hor Spanish - Puta English - Whore https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421358095417-MOZV7X2R86I5NQSGJTML/white4.jpg TEXTWORKS - White No. 4, 2010 Silicone on wood The word "whore" in five languages: English, Arabic, Hebrew, Yiddish, Spanish 40 x 40 in / 101.6 x 101.6 cm Transliterations: Hebrew - Zona Arabic - Sharmoota Yiddish - Hor Spanish - Puta English - Whore https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421358361348-A41TB2VRF3FFH32JA4X7/YK_3652_AB.jpg TEXTWORKS - White No. 5, 2010 Silicone on wood The word "whore" in five languages: English, Arabic, Hebrew, Yiddish, Spanish 40 x 40 in / 101.6 x 101.6 cm Transliterations: Hebrew - Zona Arabic - Sharmoota Yiddish - Hor Spanish - Puta English - Whore https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421359866632-O7JBMPOVLTTMW0FILL2Y/YK_03960.jpg TEXTWORKS - Sunspot, 2010 Silicone on wood words for “mother”, “father”, “son”, and “daughter” in Hebrew 24.5 x 24.5 in / 62 x 62 cm In Hebrew, the words “av”, “em”, “ben”, and “bat” are all two letter words. These ancient words, born in the Middle East, are organized over the alphabet in such a way that they encompass all letters. Transliterations: Father – Av Mother – Em Son – Ben Daughter – Bat https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421189328850-CN3CGT9ZGW8TAFIC72VE/mondrian-white.jpg TEXTWORKS - My Mondrian: Composition C (No. III) with Red, Yellow and Blue, 2009 Loctite, wood, rubber words in four languages: English, Arabic, Hebrew, Yiddish 24 x 24 x 2 in / 61 x 61 x 5 cm Private collection Mondrian’s original 1935 painting is recreated using the names of all seven pigments used in the original (cadmium red, cadmium yellow, cobalt blue, ultramarine, zinc white, lead white, and bone black), translated and transliterated into four languages (English, Arabic, Hebrew and Yiddish) and cut from natural white rubber. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421188988192-4DBGE4XNPM7TS6PB5ZRQ/mondria-black.jpg TEXTWORKS - My Mondrian: Composition in Red, Blue, and Yellow, 2009 Loctite, wood, rubber words in four languages: English, Arabic, Hebrew, Yiddish 24 x 24 x 2 in / 61 x 61 x 5 cm Mondrian’s original 1930 painting is recreated using the names of all seven pigments used in the original (cadmium red, cadmium yellow, cobalt blue, ultramarine, zinc white, lead white, and bone black), translated and transliterated into four languages (English, Arabic, Hebrew and Yiddish) and cut from natural white rubber. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419038403679-MURHYFSM5E3ETC47NZGA/white-binary.jpg TEXTWORKS - White/Binary, 2009 Rubber and loctite on wood The word "white" in English, Hebrew, Yiddish, and Arabic 22 x 22 in / 55 x 55 cm Inspired by two spiritual sources: Malevich’s Suprematist Composition: White on White, 1918, and a Talmudic commentary that suggests that an idea can exist in two contradicting states: a truth and a parable at the same time. Transliterations: English - White Hebrew - Lavan Yiddish - Weiss Arabic - Abiad https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421189486018-MKQ2L45LG0QIPY4W8EWE/orangeformalevich.jpg TEXTWORKS - Orange, for Malevich, 2007 Loctite on wood The word "orange" in four languages: English, Arabic, Hebrew, Yiddish 24 x 24 x 2 in / 61 x 61 x 5 cm Transliterations: English – Orange Arabic – Bourtoukali Hebrew – Katom Yiddish – Aranje https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421259003196-XGZFCY4ZP6UDGBY5XQZP/holy.jpg TEXTWORKS - Glory Hole, 2009 Rubber and loctite on wood panel The word "holy" in four languages: Hebrew, English, Arabic, and Yiddish 40 x 40 in / 100 x 100 cm Private collection Transliterations: Hebrew - Kadosh English - Holy Arabic - Maqadas Yiddish - Hailik https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421189770234-JAWO846Q3BMF14C3WT3Q/whiteinwhite.jpg TEXTWORKS - White in White, 2009 Rubber and loctite on wood The words "yellow" and "red" in English, Hebrew, Arabic and Yiddish. 22 x 22 in / 55 x 55 cm Private collection White in White draws its title from Malevich’s painting White on White, 1918. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421420023840-CXLBOPGUXV3QXBT2IE9U/melancholy.jpg TEXTWORKS - Melancholia, 2009 Almond tree resin, wood, rubber Languages: German (in the Hebrew alphabet), English 12 x 16.5 x 2.5 in / 30.5 x 41.9 x 6.4 cm Melancholia was created with rubber and almond trees amber gathered in the mountains for Jerusalem during a residency at Mamuta Art Center in Ein Karem. The poem I love the dark hours of my being by Rainer Maria Rilke is introduced between the rows of crystallized gum, translated to English and transliterated into the Yiddish alphabet (Hebrew alphabet appropriated for the Germanic language). Ich liebe meines Wesens Dunkelstunden I love the dark hours of my being. My mind deepens into them. There I can find, as in old letters, the days of my life, already lived, and held like a legend, and understood. Then the knowing comes: I can open to another life that’s wide and timeless. So I am sometimes like a tree rustling over a gravesite and making real the dream of the one its living roots embrace: a dream once lost among sorrows and songs —Rainer Maria Rilke, Love Poems to God. (translated by Anita Barrows and Joanna Marie Macy) https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419038402717-9X4RO3DLC3T40ZHEZUPG/lorigin.jpg TEXTWORKS - Untitled (L'Origine), 2008 Nails and 1,155 rubber text units in four languages: The word "eye" in English, Arabic, Hebrew, and Yiddish 113 x 103 x 1 in / 287 x 261.6 x 2.5 cm 1 Private collection + 1 The work takes it's name from Gustave Courbet's L'Origine du Monde. View installation process in stopmotion. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419615264860-9YEY358YP9KGFV1NVZDF/image-asset.jpeg TEXTWORKS - Installing Untitled (L'Origine), 2009 Music by Yoav Gal from Bit by Bit, Cell by Cell, 2005. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419614598006-55XN9FE9RD8F07QRB4M1/loveletter.jpg TEXTWORKS - Love Letter, 2009 Site-speciﬁc installation Text carved into drywall, pencil, marker Dimensions vary The love letter Extreme Beauty is cut out of the gallery wall. Love Letter 565/35 Sunset/Sunrise Beloved, I found the key to extreme beauty, but not the keyhole. I tried in all the holes of my body. None seemed to ﬁt. Yours forever Yours Sunset/Sunrise, forever Yours Yours forever yours https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420572763636-KTOCB8O1TLMBWFV8V4PV/love-letter-details.jpg TEXTWORKS - Love Letter, 2009 (detail) Site-speciﬁc installation - detail view Text carved into drywall, pencil, marker Dimensions vary The love letter Extreme Beauty is cut out of the gallery wall. Love Letter 565/35 Sunset/Sunrise Beloved, I found the key to extreme beauty, but not the keyhole. I tried in all the holes of my body. None seemed to ﬁt. Yours forever Yours Sunset/Sunrise, forever Yours Yours forever yours https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421354718346-RQZIDD7R6BT18318B6PJ/image-asset.jpeg TEXTWORKS - Kiss, 2007 Rubber, 892 pins 67.5 x 67.5 in / 180 x 180 cm The word "kiss" in English, Arabic (qobla), and Hebrew (neshika), rendered in two matrices and lit by several shades of white light. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420223266301-AP0H3RZ5RQYG7II8V46Y/yourhandinmine.jpg TEXTWORKS - Your Hand In Mine, 2008 Pins and rubber words The phrase "your hand in mine" in English, Hebrew, and Arabic 30 3/8 x 30 3/8 in / 77 x 77 cm Edition of 3 The phrase "your hand in mine" takes four words in English, three in Arabic and two in Hebrew. The work is lit by three tones of white light. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421263522503-GAIVXVHZKOVO0JER3FDL/lemon.jpg TEXTWORKS - Lemon, 2008 Rubber and loctite Approx. 50 x 50 in / 127 x 127 cm Lemon is made from the word "lemon," in forty languages. From Japan to Latin America through the Mediterranean, in these forty languages the word ‘lemon’ has a similar pronunciation, evidence of human activity: trade, conquest and migration. Lemon also includes the first line from the poem "Perfection" by Williams Carlos Williams. Williams’ apple is replaced with lemon: “Oh lovely (apple) lemon! Beautiful and completely rotten, [...]” Languages: Dutch, Maltese, Afrikaans, Catalan, Galician, Papiamentu, Swahili, Thai, Bân-lâm-gú, Tongan, Irish, Albanian, Slovene, Wolof, Basque, Portuguese, Italian, Bulgarian, Russian, Macedonian, Serbian, Croatian, Romanian, Papago, Spanish, Greek, Turkish, Old French and Old Italian, Farsi, Urdu, Hebrew, Arabic, Bengali, Hindi, Assamese, Chinese, Uyghur, Korean, and English. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421263541071-1EBJW4QXN5OODJ9FI9UY/lemon-detail.jpg TEXTWORKS - Lemon, 2007 (detail) https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419038409458-G7FV68GNF59FW70UC70D/untitled-lace.jpg TEXTWORKS - Untitled (Lace), 2008 Rubber, pins 66 x 62 in / 167.5 x 157.5 cm Unavailable This lacy topography is made of hundreds of rubber words in English, Hebrew, and Arabic, glued one word at a time with industrial automobile glue to form the text that appears as the signature of all the love letters in net art trilogy World of Awe: A Traveler's Journal: "Yours forever, your sunset/sunrise forever yours, your forever yours." https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421353958075-2Z7WUF1QSW1823XYFJWM/conception-mis.jpg TEXTWORKS - Conception/Mis, 2007 Rubber, silver findings, pins, rubber glue 20 x 10 x 2 in / 51 x 25 x 5 cm Private collection + 1 The original text in three languages (English, Hebrew, and Arabic) is a love letter, Conception/Mis, from the net artwork Object of Desire. The text object was built on a friend - around the neck and down the back. The silver chains wrapped around the rib cage and the single vertical line linked the neck with the tip of the text at the tailbone. + + + Love letter 685.2/9: Conception/Mis Sunset/Sunrise Beloved, Footprints left in the dust stretched into the distance. At the vanishing point I saw your face. Your face, alone, floating. Bearing the same expression you wore when you realized I was determined to take on the mission. I called it a mission, you called it a misconception. Ever since I learned about the portal I've grown restless. Standing in the kitchen the day before I crossed over: You pressed against the counter, staring in disbelief whenever I muttered treasure. You looked out the window. Cement wall of the next building spilled grey light on the floor. Emotions exploded silently. I edged toward the refrigerator to avoid the debris. You said nothing. I said nothing. Your face faded. I faced forward. Yours forever Your sunset/sunrise forever yours Yours forever yours https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419038410080-JHYBYBUC9OZBZCSZ62JK/10%5E1291%2B1.jpg TEXTWORKS - 10^1291+1, 2007 Rubber, silver findings and pins 20 x 10 x 2 in / 51 x 25 x 5 cm 10^1291+1 was built around the body of a friend. It consists of a single large number. Hanging around the neck, the number drops down her back. The long chain continues between the legs and connects to the neck from the front. The number begins with 1 and ends with 1. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421186434319-ZGHKZH1ASNFIJ3TN13N7/cut.jpg TEXTWORKS - Cut, 2007 Rubber, silver findings, pins, enamel paint, and Sculpy Approx. 78 x 144 in / 200 x 365 cm Cut was constructed around the body of a friend. A tall man, his dimensions and circumferences are captured in the lengths of the silver chains. The narrative, in English, Arabic and Hebrew, links to the scene Cut from the net artwork, Object of Desire, which describes an involuntary act of circumcision of the middle finger. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419038410217-MZYYG9E2FSOZNA5ZRJS0/thighlets.jpg TEXTWORKS - Thighlets, 2007 Rubber, silver findings and pins Approx. 31.5 x 71 in / 80 x 180 cm Thighlets was constructed around the artist's thighs. The rubber words are cut from an original text, the love letter Extreme Beauty, from the trilogy World of Awe: A Traveler's Journal. The structure is brought back to the wall and hung on pins. + + + Love letter 565/34 Sunset/Sunrise I found the key to extreme beauty but not the keyhole. I tried it in all the holes of my body. None seemed to fit. yours forever your sunset/sunrise forever yours yours forever yours https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1419038410480-E9P7LKS5TNPEPDA8XC41/horizon.jpg TEXTWORKS - Horizon, 2007 Rubber and pins Approx. 384 in / 1000 cm Thousands of rubber words are pinned to the wall. The word combination "Sunset/Sunrise" in English, Hebrew, and Arabic forms a ragged horizon. In English, sunset and sunrise point to a human-centric experience, as the sun neither rise nor sinks. In Arabic, the words are derived from the words east (ghoroob) and west (shorooq), pointing to a geographically-coordinated language. In Hebrew the words translate into shine (zrikha - root for "east'") and submerge (shki'a). https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1624926511493-2PB0LVMGBXJN5D0BTA9L/image-asset.png TEXTWORKS - Horizon (performed), 2011 Charcoal on wall A performance adaptation of a 2007 piece by the same title. This session took place at the Soft Borders exhibition at the FCL/Ar-UNESP Universidade Estadual Paulista, Sao Paulo, Brazil. Curated by Basak Senova. https://www.yaelkanarek.com/world-of-awe daily 0.75 2019-11-04 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421263986931-VPLS2PQH65X054ZXE5Y3/chap1-1.jpg WORLD OF AWE - A Traveler's Journal, Chapter 1: Forever, 1999 Website http://www.worldofawe.net/ Forever is the first chapter of World of Awe: A Traveler's Journal. It includes love letters and diary entries, descriptions of navigation tools and treasure hunting equipment. The interface is based by early Mac graphical user interface design and Windows 3.1. Menu standards are appropriated to serves as entry points to this diaristic and epistolary narrative. Deeply yearning, an anonymous protagonist searches for a lost treasure in a parallel world. The Traveler's Journal employs a nostalgic, solitary voice to meditate on our obsession with digital technology. Enter Forever Forever was included in the 2002 Whitney Biennial and was shown on a laptop. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421264434313-XWFFF37RHJTUDXVWXENR/chap2.jpg WORLD OF AWE - A Traveler's Journal, Chapter 2: Destruction & Mending Website http://www.worldofawe.net/ The second chapter of World of Awe: A Traveler's Journal, Destruction & Mending was commissioned and exhibited at the San Francisco Museum of Modern Art. The chapter employs a bomb graphic icon and the photographic pearl to carry the theme of destruction and mending. Enter Destruction & Mending https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421345766628-BXHEXK1HMN9Z26VLESML/chap3.jpg WORLD OF AWE - A Traveler's Journal, Chapter 3: Object of Desire, 2006 Website http://www.worldofawe.net/ Object of Desire is a departure from the first two chapters of World of Awe: A Traveler's Journal. Made up of 15 scenes, animated in 3D and executed in Flash, the narrative is presented in three languages: English, Hebrew, and Arabic (appearance for French, Italian, and Spanish). The work marks the burgeoning interest in the Internet as an endless polyglot space. Object of Desire explores early literary themes and motifs born in the Middle East and Mediterranean cultures that are still vibrant in contemporary culture. Biblical themes and legends receive a new treatment that take into consideration the digital advancement, in the same nostalgic and romantic voice identified with the traveler. Funded by the Rockefeller Media grant and the MFA program at RPI, Object of Desire was exhibited among other places at The Jewish Museum in New York and EMST Museum in Athens. Enter Object of Desire https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421345917024-HD5BTY8NGNF15PPL9Y1R/ood-installation.jpg WORLD OF AWE - Object of Desire Installation, 2007 Reclaimed wood, Atari joystick, button, laptop, projector, and LCD screen. Collection of the EMST museum in Athens, Greece Interactive installation of Chapter 3, Object of Desire. The ark chair is based on an image of a Noah's ark toy from the 1895 Montgomery Ward & Co. Catalogue and Buyer's Guide. To navigate the website, one uses an original Atari joystick built into the left arm and a red button built into the right. The work was created for the one-person Media Center exhibition at the Jewish Museum, 2007. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421353871676-GD4ZY74M8ZFUOOHRN6EL/54225_image_medium.jpg WORLD OF AWE - Extreme Beauty, 2001 Net Art Created for Rhizome's splash page series. http://worldofawe.net/extremebeauty/extremebeauty.html https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421346037301-Y6GMLIFOCHAPPT797OZ6/window.jpg WORLD OF AWE - Window, 2001 Internet and Flash plugin Published on Drunken Boat http://www.drunkenboat.com/db2/kanarek/kanarek.html https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421346062204-VK9WUS9XK39T2LUJWYTG/roam.jpg WORLD OF AWE - Roam 2.0, 2001 Custom software for PC Commissioned by the Alternative Museum Software programmed by Luiz Perez Roam 2.0 was an infinitely generative 3d terrain software. Navigation had two modes: Automatic and user controlled. The intention was to create a 3D game environment for the meditative experience of roaming. Although the software is now defunct, a series of screenshots of the terrain mapped with different images remain viewable. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421353982520-K4C20UWZUHAYLOVAFGAR/54224_image_medium.jpg WORLD OF AWE - Hello, 2002 Website http://www.worldofawe.net/hello/ https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421354079589-LYSXKQV0YP8V2DIPN97M/mrb.jpg WORLD OF AWE - The mRB: A prototype for a super toy, 2002 Net art and installation Collaboration with bnode architects Created during a residency at Eyebeam, the project speculates on a super-toy called the mRB, modeled after the moodRingBaby mentioned in the World of Awenarrative. The project was installed at the exhibition Beta Launchat Eyebeam. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421346116822-7ZBFNATXBAWXJXD98XOE/yael_kanarek_oct_16-001607-2.jpg WORLD OF AWE - Love Letter Demolition Performance, 2010 Ladder, Sawzall, Louboutin stilettos, fishnets, lipstick, and silk dress The demolition of the site-specific piece was the closing event of the solo exhibition Notyetness at bitforms gallery. The demolition was performed for the cameras, to exist publically as documentation. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421354032913-X5LY6ZFP3WY47VLL8W0G/yael_kanarek_oct_16-001330-2.jpg WORLD OF AWE - Love Letter Demolition Performance, 2010 Ladder, Sawzall, Louboutin stilettos, fishnets, lipstick, and silk dress The demolition of the site-specific piece was the closing event of the solo exhibition Notyetness at bitforms gallery. The demolition was performed for the cameras, to exist publically as documentation. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421354110726-LNAJSSPK8MY60JYS2O2S/jpeg-3.jpg WORLD OF AWE - Heart In Heart, 2004 Sheer organza ribbon, two metal meathooks, aircraft cable Dimensions variable Collection of EMST Museum, Athens, Greece Text: love letters from World of Awe, Chapters One and Two; Linux Kernel source code. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421354142369-LFUUVBQ81PVGY3OCI59T/feedback_loop.jpg WORLD OF AWE - Feedback-Loop, 2004 Steel, candle, pearl, hand drawn ink and pencil on parchment 20 x 15 x 27 in / 50.8 x 38 x 68.6 cm Edition of 3 Text: The Love Letter: 69.325 from World of Awe, Chapter 2, Destruction & Mending (front); Linux Kernel file source code defining schedule task (back) https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421354285373-0S2PGBWSYYYYVJQR0D68/YK_03951.jpg WORLD OF AWE - Fall Collection: Keys, Dice, Pearls, 2010 Table with sculptures Self-hardening clay, steel, wood, silver, 14k gold dimensions variable https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421354357112-LN5ZVFBTQKFR671YM47Z/key2.jpg WORLD OF AWE - Key No. 2, 2010 Self-hardening clay, steel, wood, 14k gold chain and lettering 12.25" x 6" x 5.75" / 31.1 x 15.2 x 14.6 cm Text: "I Found the Key to Extreme Beauty" https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421354494456-MMB1LSPXQGWNFJ46OKRY/image-asset.jpeg WORLD OF AWE - Keys No. 3, 2010 Table display with sculptures self-hardening clay, steel, wood, silver, 14 k gold Text: "I found the key to extreme beauty." https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421354440947-6E4SKPK0A7M5J3E4N7S7/tree-tent-1.jpg WORLD OF AWE - Speaker Tree, 2001 Speakers, computer, cables, wires, soundtrack Dimensions variable Audio from Hello, 2002 Installation from the World of Awe solo exhibition at The Moving Image Gallery, New York, directed by curator Michele Thursz, June 7 - June 30, 2001 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421354777963-IR69C6FZ2LIRUEX70ENX/static1.squarespace.jpg WORLD OF AWE - Treasure Crumbs Capsule, 2001 Gelatin capsule, candy sprinkles, acrylic box 1 x 1 x 1 in / 2.5 x 2.5 x 2.5 cm Unlimited edition Based on "treasure crumbs" from World of Awe: A Traveler's Journal. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421354909399-00C0T2GGQN8P10XGXUMU/roam-sculpture-1.jpg WORLD OF AWE - Roam, 2001 Computer, speakers, custom self-generating landscape software, soundtrack Dimensions variable Installation from the World of Awe solo exhibition at The Moving Image Gallery, New York, directed by curator Michele Thursz, June 7 - June 30, 2001. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421256152724-NL347UHTYGSPSPJQU51P/tent.jpg WORLD OF AWE - Tent, 2001 Computers, keyboards, plastic, stick, nails, soundtrack An audio track of several SimpleText Macintosh voices "read" a diary entry from World of Awe: A Traveler's Journal describing the descent into Silicon Canyon (the graveyard for all the hardware and software ever created). The installation took place at Moving Image Gallery, NYC from June 7 - June 30, 2001. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421355162488-KP9IBAE5I3GA1VWOTDDX/oldy.jpg WORLD OF AWE - Travelog 159-78: Oldy, Paragraph 7, 2011 Handset letterpress print, purple ink on paper 11.25 x 14.25" / 28.6 x 36.2 cm 1/13 2AP Letterpress prints of a paragraph from World of Awe: A Traveler's Journal, handset and printed during an artist's visit to the Goldsmith Press & Rare Type Collection at Austin Peay State University. Text: Travelog 159-78: Oldy, paragraph 7 The adobe cabin was the color of gravel. Across the room was a small door that looked like a cooler. Made of stainless steel, it was bolted with a heavy lock. This must be where she kept the water. She wasn’t eager to answer questions and I didn’t poke. I stood there for a while, yet few words passed. Once escaped from a mouth, a word lingered in the stiffness that thickened the air. The word 'Yes,' which I emitted, spread around me, barely reaching her. She waited for it to dissipate and followed up with 'Camembert' that exploded slowly and filled up all corners of the cabin. It lasted an eon, possibly because of the silent syllables. Time passed with no more then twelve or thirteen words, but I never felt bothered. The silences between words were brimming with interests. Micro events called into being whole worlds in the spaces within spaces. Between worlds, I saw glimpses of the infinite... then it all went away. It was quiet. Just the wind. The curtain moved slightly. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421421510628-I5HEPWQAXDGZK5YDBQKA/YK_03990.jpg WORLD OF AWE - Travelog 159-78: Oldy, Paragraph 7, 2010 Vinyl wall text Dimensions variable Edition of 6 Text: Travelog 159-78: Oldy, paragraph 7 The adobe cabin was the color of gravel. Across the room was a small door that looked like a cooler. Made of stainless steel, it was bolted with a heavy lock. This must be where she kept the water. She wasn't eager to answer questions and I didn't poke. I stood there for a while, yet few words passed. Once escaped from a mouth, a word lingered in the stiffness that thickened the air. The word 'Yes,' which I emitted, spread around me, barely reaching her. She waited for it to dissipate and followed up with 'Camembert' that exploded slowly and filled up all corners of the cabin. It lasted an eon, possibly because of the silent syllables. Time passed with no more than twelve or thirteen words, but I never felt bothered. The silences between words were brimming with interests. Micro events called into being whole worlds in the spaces within spaces. Between worlds, I saw glimpses of the infinite... then it all went away. It was quiet. Just the wind. The curtain moved slightly. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421256643994-YDQ5KD2364ONPXENTU8K/YK_03983.jpg WORLD OF AWE - Travelog 159-78: Oldy, Paragraph 7, 2010 Vinyl wall text Dimensions variable https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421421809090-D07I2YK1G3JZVLTYJ9FI/jpeg-4.jpg WORLD OF AWE - Text Object: Software327-25.txt, 2004 Silkscreen on parchment Diary entry from World of Awe: A Traveler's Journal silk-screened on parchment Font: Courier Text: File: software327-25.txt Software inventory from Silicon Canyon -------------------------------------------------------------- Unlike the computers that I could just turn over and open, the software I found in the canyon was considerably more complicated to examine. I've compiled an arbitrary list of 529software titles that I managed to separate from a dense pile, however, this list represents but a tiny fraction of all the code that was lying around. Looking at my collection reveals that most of the applications were written around the end of the 20th century and many of them were screensavers … who would imagine so many were made?Cars, flowers, Mars,Van Gogh, cats, sunsets. I'm looking at an F-15 Eagle screensaver thinking to myself that all this software is like a supermarket of canned culture. I nudge over a couple of SCSI cables to find a screensaver called Jumpin' Jesus on a Pogo Stick.Later, when I was climbing over a large heap of this hard-soft-junk, I began hypothesizing: imagine it was the end of the world and software titles were the only remnants, what portrait of a civilization could emerge based solely on that information? Frankly, I'm tempted to say that such evidence may actually form a semi-authentic picture. Now I should type a few words about the procedure I used to collect the code: I found the 529 titles sprawling in and around an Atari800XL, an Apple Quadra 6100 and a Sony VAIO Laptop.The disturbance initiated by moving the hardware caused strings of code to become airborne like miniature feathers, sending me into sets of uncontrollable sneezes. Can one be allergic to source code? The easiest way to pick the code is to grab the first few characters, especially the '#' with pincers and the rest usually follows like threads of a very fine material. First come the headers, the crowns on the code, these jewels of information that usually contain the title,author's name, version, revisions history and copyright info, often decorated with a touch of the author's personal style. Reading the authors' names diffuses my loneliness. Pleasure increases particularly with large, open-source network projects like the Linux operating system, for example. So many have worked on it—indeed a labor of love—and left their mark, which is how in Silicon Canyon I came to know of davidm@cs.arizona.edu, david.rusling@reo.mts.dec.com, jestabro@amt.tay1.dec.com, andrea@suse.de, ink@jurassic.park.msu.ru, manson@santafe.edu, davidm@azstarnet.com, Phillip.Ezolt@compaq.com, jbglaw@lug-owl.de, J.A.K.Mouw@its.tudelft.nl, bowman@math.ualberta.ca, dl8bcu@gmx.net, rick.gorton@alpha-processor.com, rth@tamu.edu, hobbs@steven.zko.dec.com, sjhill@cotw.com, nico@cam.org, shane@minirl.com, connors@hpl.hp.com, ch@hpl.hp.com, J.A.Pouwelse@its.tudelft.nl, abraham@2d3d.co.za, john+@cs.cmu.edu, jco@ict.es, juergen.messerer@siemens.ch, stefan.eletzhofer@gmx.de, cbrake@accelent.com, sjcho@east.isi.edu, chester@linux.org.tw andphilb@gnu.org to name a few. They make a nice group of friends when my imagination soars. However, Linus' email was nowhere to be found. I forgot to mention that all the software inside the machines had some how unassembled-uncompiled and was spilling out of the hard drives like overflowing soufflés. Really, in such degraded conditions one would expect to see actual binary data of ones and zeros and not a Babylonian chaos of high-level languages, entangled. The first software I pulled was the Blackjack Analyzer 2.0. I carefully grabbed the header from under the Atari and the C++ routines followed behind. To preserve it, I looped the string around my index finger and glued the tail with saliva. I blew on it a little and when it dried I rolled it off my finger into a small, white plastic box I found a few feet away. In that manner I collected lots of software and filled up a few boxes, when suddenly I pulled thegood-old text editorSimpleText. It was like meeting an old friend! Inits compiled stateSimpleText, the Apple software, can recite typed text in 20 different voices. Oh Agnes, Fred, Zarvox, my favorite voices, how I miss you! The SimpleText code was in fine condition but I was only able to separate the dropdown menus to integrate into my selfmade laptop. Perhaps the other strings could be knitted into a blanket if it ever gets cold. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1427684656957-7L1QMUCBI9JOHX2LZ10F/image-asset.jpeg WORLD OF AWE - Love Letter, 2009 Site-speciﬁc installation Text carved into drywall, pencil, marker Dimensions vary The love letter Extreme Beauty is cut out of the gallery wall. Love Letter 565/35 Sunset/Sunrise Beloved, I found the key to extreme beauty, but not the keyhole. I tried in all the holes of my body, but none seemed to ﬁt. Yours forever Yours Sunset/Sunrise, forever Yours Yours forever yours https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1427684390356-Y2TWOHCR5BBZKAKWJXX7/image-asset.jpeg WORLD OF AWE - Thighlets, 2007 Rubber, silver findings, and pins Approx. 31.5 x 71 in / 80 x 180 cm Thighlets was constructed around the artist's thighs. The rubber words, in English, Hebrew and Arabic, are cut from the love letter Extreme Beauty, from the trilogy World of Awe: A Traveler's Journal. The construction is brought back to the wall and hung on pins. + + + Love letter 565/34 Sunset/Sunrise I found the key to extreme beauty but not the keyhole. I tried it in all the holes of my body. None seemed to fit. yours forever your sunset/sunrise forever yours yours forever yours https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1427684113584-L4C1Y7OE5NYPUZC2Z7C9/image-asset.jpeg WORLD OF AWE - Untitled (Lace), 2008 Rubber, pins 66 x 62 in / 167.5 x 157.5 cm Unavailable This lacy topography is made of hundreds of rubber words in English, Hebrew, and Arabic, glued one word at a time with industrial automobile glue to form the text that appears as the signature of all the love letters in net art trilogy World of Awe: A Traveler's Journal: "Yours forever, your sunset/sunrise forever yours, your forever yours." https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1427684212837-PXZ9302GPP5C9261VSFU/image-asset.jpeg WORLD OF AWE - Conception/Mis, 2007 Rubber, silver findings, pins, rubber glue 20 x 10 x 2 in / 51 x 25 x 5 cm Private collection + 1 The original text in three languages (English, Hebrew, and Arabic) is a love letter, Conception/Mis, from the net artwork Object of Desire. The text object was built on a friend - around the neck and down the back. The silver chains wrapped around the rib cage and the single vertical line linked the neck with the tip of the text at the tailbone. + + + Love letter 685.2/9: Conception/Mis Sunset/Sunrise Beloved, Footprints left in the dust stretched into the distance. At the vanishing point I saw your face. Your face, alone, floating. Bearing the same expression you wore when you realized I was determined to take on the mission. I called it a mission, you called it a misconception. Ever since I learned about the portal I've grown restless. Standing in the kitchen the day before I crossed over: You pressed against the counter, staring in disbelief whenever I muttered treasure. You looked out the window. Cement wall of the next building spilled grey light on the floor. Emotions exploded silently. I edged toward the refrigerator to avoid the debris. You said nothing. I said nothing. Your face faded. I faced forward. Yours forever Your sunset/sunrise forever yours Yours forever yours https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1427684265431-2MOI5GOK6OG6LX2UV98R/image-asset.jpeg WORLD OF AWE - Cut, 2007 Rubber, silver findings, pins, enamel paint, and Sculpy Approx. 78 x 144 in / 200 x 365 cm Cut was constructed around the body of a friend. A tall man, his dimensions and circumferences are captured in the lengths of the silver chains. The narrative, in English, Arabic and Hebrew, links to the scene Cut from the net artwork, Object of Desire, which describes an involuntary act of circumcision of the middle finger. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1427684463001-20W6SSR0PEPNQJCR1CKA/image-asset.jpeg WORLD OF AWE - Horizon, 2007 Rubber and pins Approx. 384 in / 1000 cm Thousands of rubber words are pinned to the wall. The word combination "Sunset/Sunrise" in English, Hebrew, and Arabic forms a ragged horizon. In English, sunset and sunrise point to a human-centric experience, as the sun neither rise nor sinks. In Arabic, the words are derived from the words east (ghoroob) and west (shorooq), pointing to a geographically-coordinated language. In Hebrew the words translate into shine (zrikha - root for 'east') and submerge (shki'a). https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1427684522722-GTN06D10Y3ZS9N5RKARJ/image-asset.jpeg WORLD OF AWE - Horizon (performed), 2011 Charcoal on wall A performance adaptation of a 2007 by the same title. This session took place at theSoft Borders exhibition at the FCL/Ar-UNESP Universidade Estadual Paulista, Sao Paulo, Brazil. Curated by Basak Senova. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421421847424-EVFZ2BX6PBA19MU6OZY4/copyA.jpg WORLD OF AWE - Potentially Endless A, 2007 Lambda print 44.5 x 70" / 113 x 178 cm Edition of 3 This image is animated in the scene Copy, from Object of Desire: Travelog 720.5/2: Copy Sunset/Sunrise Tangerine sky. A ray illuminates my neck. It stays there. Time suspended. I key my notes into the laptop. Letters dispel the handwriting and elude my temper, paper, and the ballpoint pen. The laptop welcomes the letters and assigns them numbers. Electric-alive, my idiom flickers on the screen. Delighted in the power of computation: Copy, paste, find, replace. CTRL+Z. Power. Speed. I penetrate. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421421921999-S066NDT2G9CC05ZEI8NZ/copyB.jpg WORLD OF AWE - Potentially Endless B, 2007 Lambda print 44.5 x 70 in / 113 x 178 cm Edition of 3 This landscape is "torn" by mapping a journalistic photo of a political murder that circulated in the news several years ago. Its source is the Israeli-Palestinian conflict. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421421893831-IK4QPCDZ1K5DIHP2087Y/exits_entries.png WORLD OF AWE - Terrain 9_3a_5: Entries And Exits, 2002 Ink drawing on Lambda print plexi-mounted 44 x 34 in / 112 x 86 cm Unique About traffic data: As visitors navigate the net artwork World of Awe: A Traveler's Journal they leave tracking data like footprints. That data includes IP address, pages visited and time of entry. The data is then filtered and hand-drawn, spontaneously, on the 3D desert landscape print. Here the traffic data was filtered to identify the first and last diary entry accessed by several visitors. The difference in timestamps indicate the time they spent in the net artwork. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421421962359-WTPW3C7B206S4GEQZPKE/ladders.jpg WORLD OF AWE - Terrain6e_6: Ladders, Cranes And Hidden Pathways, 2006 Ink drawing on Lambda print 30 x 40 in / 76 x 102 cm Unique As visitors navigate World of Awe: A Traveler's Journal, they leave behind tracking data including IP address, pages visited, and time of download requests. These traces are then filtered and spontaneously hand-drawn on the 3D desert landscape print. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421422132155-T3JFOPI0WN342K0UB0IB/swarm-1.png WORLD OF AWE - Terrain6_6: Time Swarm, 2006 Ink drawing on Lambda print 30 x 40 in / 76 x 102 cm Unique As visitors navigate World of Awe: A Traveler's Journal, they leave behind tracking data including IP address, pages visited, and time of download requests. These traces are then filtered and spontaneously hand-drawn on the 3D desert landscape print. This data represents a swarm of timestamps that hit the server over a period of several months. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421422166069-1ARGW9106ZP4859QWW7D/oneandahalf-1.png WORLD OF AWE - Terrain6c_3: Ninty Seconds, 2006 Ink drawing on Lambda print 30 x 40 in / 76 x 102 cm Unique As visitors navigate World of Awe: A Traveler's Journal, they leave behind tracking data including IP address, pages visited, and time of download requests. These traces are then filtered and spontaneously hand-drawn on the 3D desert landscape print. The data in this piece represents the first 90 seconds of the day: 00:00:00 – 00:01:30. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421262678511-1WFO0PPPWG22ING5E81S/undo-print.jpg WORLD OF AWE - Undo, 2007 Ink drawing on Lambda print 29 x 42.5 in / 74 x 108 cm Unique A rendering from the scene Undo in Object of Desire, using an image from the 1895 Montgomery Ward & Co. Catalogue and Buyer's Guide as the basis for the ark model. The hand-drawing interprets traffic data left by those who visited the Undo webpages, then hosted on a server in Tel Aviv by the Israeli Center for Digital Art's ArtLab. This work was included in the solo exhibition Object of Desire exhibition at the Jewish Museum's Media Center in New York. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421422211996-CGU3YQ6MMN6KXK3L3QNF/terrain9_3a_6.jpg WORLD OF AWE - Terrain9_3a_6: Crumbs, 2007 Ink drawing on Lambda print 20 x 15 in / 51 x 38 cm Unique Private collection A rendering from the scene Crumbs in Object of Desire. The ink drawing interprets traffic data left by those who visited the Crumbs webpages, then hosted on a server in Ramallah, Palestine. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1572827647725-6M00LBNSKIRJL4DZ2L6V/pod-1500.jpg WORLD OF AWE - Pod, 2004 Digital C-Print 23 x 30 1/2 in / 58.6 x 77.2 cm 60 3/4 x 66 in / 154.2 x 167.6 cm Edition of 6, 1 AP "Cycles" is a photographic series of performed actions, as written in computer code (Linux Kernel). This machine language, a narrative of instructions based on English, is then transferred to organza ribbon. A single character, the User, performs machine and human functions in a sterile, functional environment warmed by low orange light reminiscent of a sunset or sunrise. The final resting point for the code is in two sculptures: SPIN_LOCK and Heart in Heart. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1572827833053-MPJN6JBGK5HETIGUWRYP/attached-1500.jpg WORLD OF AWE - Attach, 2004 Digital C-Print 23 x 30 1/2 in / 58.6 x 77.2 cm 60 3/4 x 66 in / 154.2 x 167.6 cm Edition of 6, 1 AP "Cycles" is a photographic series of performed actions, as written in computer code (Linux Kernel). This machine language, a narrative of instructions based on English, is then transferred to organza ribbon. A single character, the User, performs machine and human functions in a sterile, functional environment warmed by low orange light reminiscent of a sunset or sunrise. The final resting point for the code is in two sculptures: SPIN_LOCK and Heart in Heart. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1572831157115-5WVI9B4TN9ZCY85YJ1RS/unlock_1500.jpg WORLD OF AWE - Ready, 2004 Digital C-print 28 x 21.5 in / 71.1 x 54.6 cm 66 x 51.75 in / 167.6 x 131.4 cm Edition of 6, 1 AP "Cycles" is a photographic series of performed actions, as written in computer code (Linux Kernel). This machine language, a narrative of instructions based on English, is then transferred to organza ribbon. A single character, the User, performs machine and human functions in a sterile, functional environment warmed by low orange light reminiscent of a sunset or sunrise. The final resting point for the code is in two sculptures: SPIN_LOCK and Heart in Heart. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1572831216625-PK8WTDQIXVME9ANJSWLQ/socks_1500.jpg WORLD OF AWE - Sockets, 2004 Digital C-Print 24 5/8 x 18 1/2 in / 62.5 x 47 cm 66 x 51 in / 167.6 x 129.5 cm Edition of 6, 1 AP "Cycles" is a photographic series of performed actions, as written in computer code (Linux Kernel). This machine language, a narrative of instructions based on English, is then transferred to organza ribbon. A single character, the User, performs machine and human functions in a sterile, functional environment warmed by low orange light reminiscent of a sunset or sunrise. The final resting point for the code is in two sculptures: SPIN_LOCK and Heart in Heart. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1572831191929-CU3NHIHV6LP597F88ES0/ready-1500.jpg WORLD OF AWE - Pause, 2004 Digital C-Print 28 x 21 1/2 / 71.1 x 54.6 cm 66 x 51 3/4 / 167.6 x 131.4 cm Edition of 6, 1 AP "Cycles" is a photographic series of performed actions, as written in computer code (Linux Kernel). This machine language, a narrative of instructions based on English, is then transferred to organza ribbon. A single character, the User, performs machine and human functions in a sterile, functional environment warmed by low orange light reminiscent of a sunset or sunrise. The final resting point for the code is in two sculptures: SPIN_LOCK and Heart in Heart. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1572831675432-80LX1CYLQSVHHV4NPQUH/skinning1500.jpg WORLD OF AWE - Shedding, 2004 Digital C-Print 44 x 34 in / 112 x 86 cm Edition of 6, 1 AP "Cycles" is a photographic series of performed actions, as written in computer code (Linux Kernel). This machine language, a narrative of instructions based on English, is then transferred to organza ribbon. A single character, the User, performs machine and human functions in a sterile, functional environment warmed by low orange light reminiscent of a sunset or sunrise. The final resting point for the code is in two sculptures: SPIN_LOCK and Heart in Heart. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1572831706717-SV61F1N9VE6GMOORPR0Z/sleepmode1500.jpg WORLD OF AWE - Sleep Mode, 2004 Digital C-print 13.5 x 18.5 in / 34 x 46.7 cm 44 x 34 in / 112 x 86 cm Edition of 6, 1 AP "Cycles" is a photographic series of performed actions, as written in computer code (Linux Kernel). This machine language, a narrative of instructions based on English, is then transferred to organza ribbon. A single character, the User, performs machine and human functions in a sterile, functional environment warmed by low orange light reminiscent of a sunset or sunrise. The final resting point for the code is in two sculptures: SPIN_LOCK and Heart in Heart. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1572831730299-H1A2I7UAGT67QV7A1KWO/dresscode1500.jpg WORLD OF AWE - Dress Code, 2004 Digital C-Print 44 x 34 in / 112 x 86 cm Edition of 6, 1 AP "Cycles" is a photographic series of performed actions, as written in computer code (Linux Kernel). This machine language, a narrative of instructions based on English, is then transferred to organza ribbon. A single character, the User, performs machine and human functions in a sterile, functional environment warmed by low orange light reminiscent of a sunset or sunrise. The final resting point for the code is in two sculptures: SPIN_LOCK and Heart in Heart. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1572831763476-DK8TMTFO967P2PMP7WA0/afterthat1500.jpg WORLD OF AWE - Gaze, 2004 Digital C-print 13.5 x 18.5 in / 34 x 46.7 cm 44 x 34 in / 112 x 86 cm Edition of 6, 1 AP "Cycles" is a photographic series of performed actions, as written in computer code (Linux Kernel). This machine language, a narrative of instructions based on English, is then transferred to organza ribbon. A single character, the User, performs machine and human functions in a sterile, functional environment warmed by low orange light reminiscent of a sunset or sunrise. The final resting point for the code is in two sculptures: SPIN_LOCK and Heart in Heart. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421422832602-3HA3I0Z6BHGW5D4QYS9G/wear.jpg WORLD OF AWE - Wear, 2004 Digital C-print 13.5 x 18.5 in / 34 x 46.7 cm 44 x 34 in / 112 x 86 cm Edition of 6, 1 AP "Cycles" is a photographic series of performed actions, as written in computer code (Linux Kernel). This machine language, a narrative of instructions based on English, is then transferred to organza ribbon. A single character, the User, performs machine and human functions in a sterile, functional environment warmed by low orange light reminiscent of a sunset or sunrise. The final resting point for the code is in two sculptures: SPIN_LOCK and Heart in Heart. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421422875805-XYYUCZRF294WAPVB8N3Y/static1.squarespace.jpg WORLD OF AWE - Love Letters From A World Of Awe Flier, 1995 The first flier in the East Village cafes to announce a URL to a net art work. Actually, the first flier to include a URL alone. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421422913003-GBDSWANUZZ7CCD710NIK/hole.jpg WORLD OF AWE - The Hole Of The Lost Treasure, 1994 Cardboard box, black velvet, small things These two polaroids show interior and exterior shots of the sculpture The Hole of the Lost Treasure. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421422984765-XQR634MOB7VAXJ9B676Y/7a.jpg WORLD OF AWE - Polaroid Of Love Letters From A World Of Awe Flier, 1995 Polaroid Unique This polaroid was taken on the corner of 7th Street and Avenue A. The establishment across the street is long gone. The polaroid was scanned and introduced into the net art piece it promotes to create a feedback loop between the physical and virtual spaces. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421423271982-2HTID4GAP1QIX5W83YQP/r2r.jpg WORLD OF AWE - On The Twenty-Somethingth Mile, 2005 Performance duration: 15 min The Drawing Center for the "River to River" festival, NYC Conceived and performed with performance artist Nao Bustamante. Music by Yoav Gal and a dancefilm by Evann Siebens. The program was organized by The Drawing Center for the "River to River" festival in downtown Manhattan, The program included two screenings by Shahzia Sikander and William Kentridge. Wednesday, September 7, Screenings at 6:00 and 7:00 pm. The performance included two songs and two love letters: Pearl, Conception/Mis, and Portal from the World of Awe: A Traveler's Journal. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421423312936-IG8WSNKAA31KYA9Q82ED/cd.jpg WORLD OF AWE - Bit By Bit, Cell By Cell, 2005 Enhanced Music CD, Innova Recordings This enhance CD is a collaboration composer Yoav Gal and dance filmmaker Evann Siebens. Love letters and travelogs from the Traveler's Journal were set to music. Eleven music tracks alternate between a digitally manipulated soprano (Sarah Rivkin) and instrumental music composed for an Atari 800 XL. The CD is available on Amazon, iTunes, Innova recordings label, Eyebeam's bookstore and soon here. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1427685508733-L97UFQXUV8A80RGJOQ1Y/image-asset.jpeg WORLD OF AWE - Love Letters Delivery Service, 2001 WWW and email protocols The intention was to take the Love Letters from the World of Awe: A Traveler's Journal Chapter 1: Forever and use the email protocol to disseminate them to (mostly) subscribers. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421423361148-4QEXF2QXZZGYIC48MZZL/static1.squarespace.jpg WORLD OF AWE - Schedule_Task, 2004 Video 2:31 Minutes Edition of 6, 1 AP Collection of CU Art Museum, University of Colorado at Boulder This video artwork simulates a computer process called schedule task. The two screens alternate a simple action. On the left, the User wakes up from sleep mode and is ready for action, on the right, the User taps her knee while singing Ring of Fire by June Carter Cash. The video is a continuous loop. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421425898665-VD8JTNEYBU90S9HQ85SR/here.jpg WORLD OF AWE - Love Letters From A World Of Awe Performance, 1997 One-person, multimedia performance, including love letters, slides, and song narrated by a single performer seated with her back to the audience. The performance took place at the The American Living Room, an annual summer festival featuring new works by emerging artists held at HERE, NYC. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1427685051752-4TOPCSGV8FBC6TERH185/image-asset.jpeg WORLD OF AWE - Love Letters from a World of Awe, 1995 Website http://worldofawe.net/woa95/index1.html The first edition of the World of Awe website. The piece integrates paintings from that period and East Village stories. One of the earliest net artworks, this piece was an experiment on every level—creative, formal, and conceptual—that attempted to explore both the Internet and an Internet art work. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1427685364332-SMGOHBBW6PBBO58V9QO6/image-asset.jpeg WORLD OF AWE - Love Letters from a World of Awe, 1997 Website http://www.thebluedot.com/worldofawe/ Second version of Love Letters from a World of Awewebsite, formerly hosted on RSUB Blue Dot, the Razorfish experimental culture division. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421425940766-AVRRKLAFR318FGHPKQ2C/mousepad.jpg WORLD OF AWE - World Of Awe Mousepad, 2000 This World of Awe mousepad was designed for Rhizome.org. https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421423576493-F7GY4NTVA6ZYUPBHSHCL/floppies.jpg WORLD OF AWE - Love Letters from a World of Awe floppies, 1996 HTML files, jpgs and gifs on floppies Mac, Netscape 3.0 + RealAudio player PC native web browser + + + Traveller's log 45/3 sunset/sunrise "Do you know the sound of yellow?" Beloved, If I was to show the ways of love the only thing I could answer this day is: Suspension. It is suspension (definition=suspense: The state or quality of being undecided or doubtful. Anxiety or apprehension resulting from an undecided, uncertain or mysterious situation). It is very, very yellow and very bareboned. I can't tell where the horizon should cut through. I took refuge under a fat yellow cumulus. It's suspended ... and if it moves an inch — I move an inch. and if it moves half an inch — I move half an inch. It's very, very yellow here. Can you feel the sound? Can you touch the sound? Do you know the sound of yellow? It's suspended. It's slick. It's hot - very hot - very yellow. I saw an insect crawl under my foot. I'm suspended too. I don't like insects crawling under my foot. This means discomfort. I wish north would show its face and get motion into cumulus. This suspension is heavy on the breathing, and my body is so big and needs so much air. Yellow suspension. I got to go got to run. I will bury this letter deep into cumulus for when motion comes and will turn the colors around. When it turns cumulus into blue, it will drop on you. This blue on you always blows my breath away ... here in suspension. It's very, very yellow here, hear - do you know the sound of yellow? Hello? hear — do you know the sound of yellow? Hello? hear — do you know the sound of yellow? Hello? Yours forever your sunset/sunrise 4ever yours yours 4ever yours https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421342109661-V8LTAYU7TXB3F4LJHYNF/pfff.jpg WORLD OF AWE - Pfff, 1994 Acrylic on canvas 40 x 30 in / 101.6 x 76.2 cm https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1421342010776-P7ZTJ9BVLEONQ7L43CP4/underwater.jpg WORLD OF AWE - Underwater, 1995 Acrylic, paper, rope, candy sprinkles, paper maché, marker on canvas 40 x 30 in / 101.6 x 76.2 cm https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420581632682-8EYWUNSAMHFPFJJF13JX/avalanche.jpg WORLD OF AWE - Avalanche, 1995 Acrylic, marker and glitter on canvas 40 x 30 in / 101.6 x 76.2 cm https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420581632696-IM485UHXG75I2FQE37DU/bloodypiggy.jpg WORLD OF AWE - Bloody Piggy Doggy Pig, 1995 Acrylic, hair, paper maché 40 x 30 in / 101.6 x 76.2 cm https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420581633052-YYXBUOMFA1K94TQ537JU/concrete.jpg WORLD OF AWE - Concrete, 1995 Acrylic, adhesive wall paper, string, candy sprinkles, marker 30 x 20 inch https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420581633096-CJFZUTHSHDLAH1EJQ3C7/doyousee.jpg WORLD OF AWE - Do You See?, 1995 Acrylic, candy sprinkles on canvas 40 x 30 in / 101.6 x 76.2 cm https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420581633423-FDY1DF3ENX69CZ9HGSXJ/ear-pop.jpg WORLD OF AWE - Ear Pop, 1995 Acrylic, candy sprinkles, marker on canvas 30 x 20 inch https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420581633665-NCLROB7Z2HP9A0X86DQJ/flight.jpg WORLD OF AWE - Flight, 1995 Acrylic, puffy stickers on canvas 30 x 20 inch https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420581633772-BUEFQTOP3L49RG5RPVJK/input-ouput.jpg WORLD OF AWE - Input/Output, 1995 Acrylic, glitter and plastic fly on canvas 40 x 30 in / 101.6 x 76.2 cm Text: Beloved, Falling from a cloud of unknowing, I have returned to normal speech where a sentence has a beginning, middle and end. At that moment I knew that some have spiritual talent and some don't. I don't. My dear, at last, the journey might be coming to an end, heaven is not to be found in these terrains. Yours forever your sunset/ sunrise forever yours Yours forever yours https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420581634118-5Z44J3MDHAO4HQYI2Q2X/kisses.jpg WORLD OF AWE - Kisses, 1995 Acrylic, sticker, marker, glitter on canvas 30 x 20 inch https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420581634294-V7IL8W6LO956JVFSAK3R/nightmare.jpg WORLD OF AWE - Nightmare, 1995 Acrylic, candy sprinkles, marker, and string on canvas 30 x 20 inch https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420581634779-IG3GC51MYR3UP4CEG27Y/pointofnoreturn.jpg WORLD OF AWE - The Point of No Return, 1995 Acrylic on canvas 40 x 30 in / 101.6 x 76.1 cm https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420581635084-B4W0MU9QTOVEZS1FYZ1K/ready.jpg WORLD OF AWE - Ready, 1995 Acrylic, paper maché, string, candy sprinkles, puffy stickers 40 x 30 in / 101.6 x 76.2 cm https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420581635185-8GE2AY8MAB7FRYMM5MM2/relief.jpg WORLD OF AWE - Relief, 1995 Acrylic, paper maché, string on canvas https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420581635715-I6EDFCYNGFBOGOXUZR33/sing-sing.jpg WORLD OF AWE - SingSing, 1995 Acrylic, candy sprinkles, marker, punch tape, glitter on canvas 30 x 20 inch https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420581635748-4X37WNS8LUVWWZ1N05OB/slammingdoors.jpg WORLD OF AWE - One Thousand Slamming Doors, 1995 Acrylic, paper, marker on canvas 40 x 30 in / 101.6 x 76.2 cm Text: Love letter 2172/6 Sunset/Sunrise Beloved, You would think that with all the scenes I have witnessed from a bird-eye’s view I would have built endurance. Alas, my dear friend, I am ashamed to admit that whenever we pass over a zone of One Thousand Slamming Doors I still shut my eye as hard as I can not to be hearing the spiteful sound of rejection. Humbly your admirer, Yours forever your sunset/sunrise forever yours yours forever yours https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1420581636511-RIN34JOIGFOEIK137X36/untitled.jpg WORLD OF AWE - Hunger, 1995 Acrylic and marker on canvas 40 x 30 in / 101.6 x 76.2 cm https://www.yaelkanarek.com/johanna-verses daily 0.75 2022-06-18 https://www.yaelkanarek.com/johanna-verses/2022/6/18/johanna-11 monthly 0.5 2022-06-18 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/4450bb62-0ffa-4183-85c7-f0f1dcdca380/johanna1-1.gif Johanna - Johanna 1:1 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/johanna-verses/2022/6/18/johanna-12 monthly 0.5 2022-06-18 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/859a39f2-3551-4a16-9c1a-9f4b56fdbbfc/johanna1-2.gif Johanna - Johanna 1:2 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/johanna-verses/2022/6/18/johanna-13 monthly 0.5 2022-06-18 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/174fa95b-8424-4879-9a61-0ba3e8dd3c65/johanna1-3.gif Johanna - Johanna 1:3 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/johanna-verses/2022/6/18/johanna-14 monthly 0.5 2022-06-18 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/65af0b90-fc99-4fe1-87ca-bfdf83e1f34b/johanna1-4.gif Johanna - Johanna 1:4 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/johanna-verses/2022/6/18/johanna-15 monthly 0.5 2022-06-18 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/c6527a25-5d2a-4cf4-9888-71e20b76ceed/johanna1-5.gif Johanna - Johanna 1:5 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/johanna-verses/2022/6/18/johanna-16 monthly 0.5 2022-06-18 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/0936d733-1016-43bc-b062-f55dbeae4a23/johanna1-6.gif Johanna - Johanna 1:6 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/johanna-verses/2022/6/18/johanna-17 monthly 0.5 2022-06-18 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/86129bac-dcbf-4a40-bafb-67cf9d9dd3b0/johanna1-7.gif Johanna - Johanna 1:7 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/johanna-verses/2022/6/18/johanna-18 monthly 0.5 2022-06-18 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/5b3e799a-951a-4b9f-8c89-d61c11e0fbd9/johanna1-8.gif Johanna - Johanna 1:8 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/johanna-verses/2022/6/18/johanna-19 monthly 0.5 2022-06-18 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/9b0279a2-3989-42c8-98a6-ba5388ef5868/johanna1-9.gif Johanna - Johanna 1:9 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/johanna-verses/2022/6/18/johanna-110 monthly 0.5 2022-06-18 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/0d6b9c05-6650-4fc1-9496-a1a3d06e8520/johanna1-10.gif Johanna - Johanna 1:10 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/johanna-verses/2022/6/18/johanna-111 monthly 0.5 2022-06-18 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/67f5af42-7b34-47f3-aa26-28826c38269f/johanna1-11.gif Johanna - Johanna 1:11 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/johanna-verses/2022/6/18/johanna-112 monthly 0.5 2022-06-18 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/e944226a-eafb-4e76-ba77-facf09ac7102/johanna1-12.gif Johanna - Johanna 1:12 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/johanna-verses/2022/6/18/johanna-113 monthly 0.5 2022-06-18 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/d2f6d1da-a3b5-4523-a681-322878e53658/johanna1-13.gif Johanna - Johanna 1:13 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/johanna-verses/2022/6/18/johanna-114 monthly 0.5 2022-06-18 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/86286da1-888e-45e3-bdb2-23d76e3cc371/johanna1-14.gif Johanna - Johanna 1:14 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/genesis-collection daily 0.75 2022-06-23 https://www.yaelkanarek.com/genesis-collection/2022/6/22/genesis-11 monthly 0.5 2022-06-23 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/ca2aafeb-3e83-4ffb-a13a-331a82dab044/genesis1-1.gif Genesis - Genesis 1:1 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/genesis-collection/2022/6/22/genesis-12 monthly 0.5 2022-06-23 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/aa4fed15-bdf9-4610-9c14-3f835a83e219/genesis1-2.gif Genesis - Genesis 1:2 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/genesis-collection/2022/6/22/genesis-13 monthly 0.5 2022-06-23 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/fc6b3c2d-623d-4d58-95b2-841d8e1fa4b7/genesis1-3.gif Genesis - Genesis 1:3 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/genesis-collection/2022/6/22/genesis-14 monthly 0.5 2022-06-23 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/9199c6d4-0d3e-4757-b8cc-f3cec28cbd49/genesis1-4.gif Genesis - Genesis 1:4 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/genesis-collection/2022/6/22/genesis-15 monthly 0.5 2022-06-23 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1df1b77b-7efc-4bf4-948b-f895d6e625d1/genesis1-5.gif Genesis - Genesis 1:5 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/genesis-collection/2022/6/22/genesis-16 monthly 0.5 2022-06-23 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/ccb7f1ca-9449-4046-9ebd-619754d7b3d6/genesis1-6.gif Genesis - Genesis 1:6 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/genesis-collection/2022/6/22/genesis-17 monthly 0.5 2022-06-23 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/42bbe4f5-ed34-4ad0-a3ed-773891a640fa/genesis1-7.gif Genesis - Genesis 1:7 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/genesis-collection/2022/6/22/genesis-18 monthly 0.5 2022-06-23 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/41d69598-7298-4f5b-b283-de39250fa735/genesis1-8.gif Genesis - Genesis 1:8 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/genesis-collection/2022/6/22/genesis-19 monthly 0.5 2022-06-23 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/fa8d2c55-8948-40fb-bbd8-cd716487cd4f/genesis1-9.gif Genesis - Genesis 1:9 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/genesis-collection/2022/6/22/genesis-110 monthly 0.5 2022-06-23 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/995b5205-431c-4ae3-86dd-8d441f8b4d7f/genesis1-10.gif Genesis - Genesis 1:10 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/genesis-collection/2022/6/22/genesis-111 monthly 0.5 2022-06-23 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/3a8ad4b3-fafe-4fb1-b620-bdcff2f503b4/genesis1-11.gif Genesis - Genesis 1:11 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/genesis-collection/2022/6/22/genesis-112 monthly 0.5 2022-06-23 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/ffb3e8ac-796f-4089-94c8-ed7697b98539/genesis1-12.gif Genesis - Genesis 1:12 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/genesis-collection/2022/6/22/genesis-113 monthly 0.5 2022-06-23 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/8d220a94-bc89-4add-84a1-6ae2ddfb4952/genesis1-13.gif Genesis - Genesis 1:13 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/genesis-collection/2022/6/22/genesis-114 monthly 0.5 2022-06-23 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/7dbcd136-92bd-4fa7-b787-93747b888a76/genesis1-14.gif Genesis - Genesis 1:14 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/genesis-collection/2022/6/22/genesis-115 monthly 0.5 2022-06-23 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/5985e578-dd97-496d-8cf5-224ef43fbe2c/genesis1-15.gif Genesis - Genesis 1:15 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/genesis-collection/2022/6/22/genesis-116 monthly 0.5 2022-06-23 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/b26e5f25-dfd8-4edd-a1d0-5f66573b6386/genesis1-16.gif Genesis - Genesis 1:16 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/genesis-collection/2022/6/22/genesis-117 monthly 0.5 2022-06-23 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/40d5989b-3256-47c3-9b9b-57c355c1e1f4/genesis1-17.gif Genesis - Genesis 1:17 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/genesis-collection/2022/6/22/genesis-118 monthly 0.5 2022-06-23 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/e661cace-7836-401b-be06-47801d3e018f/genesis1-18.gif Genesis - Genesis 1:18 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/genesis-collection/2022/6/22/genesis-119 monthly 0.5 2022-06-23 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/6d19bec4-7ae5-4dec-b76b-ccb77622cf0a/genesis1-19.gif Genesis - Genesis 1:19 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/genesis-collection/2022/6/22/genesis-120 monthly 0.5 2022-06-23 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/67ba39f6-e0b2-4c8c-9456-f984f2495ccb/genesis1-20.gif Genesis - Genesis 1:20 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/genesis-collection/2022/6/22/genesis-121 monthly 0.5 2022-06-23 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/4cd904ba-d9c6-4456-8bcf-988786a0704e/genesis1-21.gif Genesis - Genesis 1:21 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/genesis-collection/2022/6/22/genesis-122 monthly 0.5 2022-06-23 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/a18fd6e1-34e7-4162-9e7a-fa9b5cc0f6c0/genesis1-22.gif Genesis - Genesis 1:22 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/genesis-collection/2022/6/22/genesis-123 monthly 0.5 2022-06-23 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/5888a896-4d4e-4297-8a0a-a3e36a95bce1/genesis1-23.gif Genesis - Genesis 1:23 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/genesis-collection/2022/6/22/genesis-124 monthly 0.5 2022-06-23 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/d7dc022f-8c5b-48e1-affa-3af339f8a13e/genesis1-24.gif Genesis - Genesis 1:24 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/genesis-collection/2022/6/22/genesis-125 monthly 0.5 2022-06-23 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/9b6427d4-f8bd-48c5-a52e-b86a124c3877/genesis1-25.gif Genesis - Genesis 1:25 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/genesis-collection/2022/6/22/genesis-126 monthly 0.5 2022-06-23 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/b47237bc-9d17-4c72-b00b-a33c882ef239/genesis1-26.gif Genesis - 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Genesis 1:29 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/genesis-collection/2022/6/22/genesis-130 monthly 0.5 2022-06-23 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/45f4adc9-12e7-4e1c-91c2-e78725f68511/genesis1-30.gif Genesis - Genesis 1:30 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/genesis-collection/2022/6/22/genesis-131 monthly 0.5 2022-06-23 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/dc1dea2b-1ce8-470b-9f69-a6aaa525af59/genesis1-31.gif Genesis - Genesis 1:31 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yaelkanarek.com/about daily 0.75 2021-06-16 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1623803601842-7H29KRYSUZA7WJS8FPWI/headshot2020-1500.jpg ABOUT Photo: Gili Getz https://www.yaelkanarek.com/worldofawe daily 0.75 2015-01-13 https://www.yaelkanarek.com/yael-kanarek daily 1.0 2019-10-22 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1547585837385-50EA4P7WO0RCGFPYKW5N/Day+%2F+Night+site-specific+sculpture Yes, Hi. Day/Night, 2018, Site-specific sculpture commissioned by the Arts-in-Embassies programs for the new embassy in Harare, Zimbabwe https://www.yaelkanarek.com/johanna daily 0.75 2022-06-18 https://www.yaelkanarek.com/genesis daily 0.75 2022-06-23 https://www.yaelkanarek.com/genesis-elohin1 daily 0.75 2022-06-23 https://www.yaelkanarek.com/rb-prints daily 0.75 2019-11-15 https://www.yaelkanarek.com/rb-prints/emanation monthly 0.5 2020-08-27 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1573855455455-DY9L3OG6FDD2C2P4B22O/emanation.png RB prints - Emanation https://www.yaelkanarek.com/rb-prints/in-her-light-is-light monthly 0.5 2020-08-27 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1573855413258-INOQZO3FDZCS01CLY1K0/Orah+Einsof+Shiviti.png RB prints - In Her Light is Light, 2019 https://www.yaelkanarek.com/rb-prints/pnei-bereshit monthly 0.5 2020-08-27 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1573855287251-T5W8WDHTG9F030DTTY2X/Pnei+Bereshit.png RB prints - Pnei Bereshit, Face of Genesis, 2019 https://www.yaelkanarek.com/rb-prints/from-her-rib-she-made-a-man monthly 0.5 2020-08-27 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1573853710346-L0E7A10JXPACAEMSKEJ5/creation-of-man-out-of-woman.png RB prints - From Her Rib She Made a Man, 2019 https://www.yaelkanarek.com/rb-prints/mosheh-cradles-moshah monthly 0.5 2020-08-27 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1573855334911-FP5UFSYE4EWKMSH4NEFS/moshah.png RB prints - Mosheh cradles Moshah, 2019 https://www.yaelkanarek.com/rb-prints/zivug-pnei-bereshit monthly 0.5 2020-08-27 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1573855239989-JZLGB7KM41KHCOTC9AQL/Zivug+Pnei+Bereshit.png RB prints - Zivug Pnei Bereshit, 2019 https://www.yaelkanarek.com/rb-prints/panim monthly 0.5 2020-08-27 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1572883406660-QISFIPIW30Y1FA52YKRX/Ruach+Haim.png RB prints - Ruach Haim, Breath of Life, 2019 https://www.yaelkanarek.com/rb-prints/bezalelah monthly 0.5 2020-08-27 https://images.squarespace-cdn.com/content/v1/52f2bac0e4b00e69a8f50580/1571800089254-Y2FEHJ6FPNVJY4J3FPK2/Bezalelah.png RB prints - Bezalelah, In the Shadow of Goddess, 2019